Red de Bibliotecas Virtuales de Ciencias Sociales en
América Latina y el Caribe

logo CLACSO

Por favor, use este identificador para citar o enlazar este ítem: https://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/166072
Título : A Driving Force, Odin Teatret: Convergence of Diverse Performance Trainings in Ur-Hamlet
Palabras clave : Esthetic Principles;Ethics;Marginality;Multiculturalism;Third Theater
Editorial : Brazilian Journal on Presence Studies
Révue Brésilienne d'Études de la Présence
Révue Brésilienne d'Études de la Présence
Revista Brasileira de Estudos da Presença
Descripción : Ur-Hamlet is Eugenio Barba’s production performed at the Elsinore castle in Denmark in 2006. Odin Teatret worked in collaboration with many actors, dancers and musicians from diverse cultures and theatrical traditions. This paper traces the relationships that Odin Teatret has established with other theatre groups in the world, their exchanges and the concept of the third theater. It analyzes the artistic practices that Odin Teatret usually applies and how the integration of actors with different Western and Eastern backgrounds was marked by their professional trajectory. There was a clear distinction between actors with diverse theatre training and also experience, and younger Western actors who took part in Odin Teatret’s workshops. 
URI : http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/166072
Otros identificadores : https://seer.ufrgs.br/index.php/presenca/article/view/88202
Aparece en las colecciones: Programa de Pós-Graduação em Educação - PPGEDU/UFRGS - Cosecha

Ficheros en este ítem:
No hay ficheros asociados a este ítem.


Los ítems de DSpace están protegidos por copyright, con todos los derechos reservados, a menos que se indique lo contrario.