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Por favor, use este identificador para citar o enlazar este ítem: https://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/166072
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dc.creatorRamis, A. Gabriela-
dc.date2019-07-11-
dc.date.accessioned2022-04-04T18:14:43Z-
dc.date.available2022-04-04T18:14:43Z-
dc.identifierhttps://seer.ufrgs.br/index.php/presenca/article/view/88202-
dc.identifier.urihttp://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/166072-
dc.descriptionUr-Hamlet is Eugenio Barba’s production performed at the Elsinore castle in Denmark in 2006. Odin Teatret worked in collaboration with many actors, dancers and musicians from diverse cultures and theatrical traditions. This paper traces the relationships that Odin Teatret has established with other theatre groups in the world, their exchanges and the concept of the third theater. It analyzes the artistic practices that Odin Teatret usually applies and how the integration of actors with different Western and Eastern backgrounds was marked by their professional trajectory. There was a clear distinction between actors with diverse theatre training and also experience, and younger Western actors who took part in Odin Teatret’s workshops. en-US
dc.languageeng-
dc.publisherBrazilian Journal on Presence Studiesen-US
dc.publisherRévue Brésilienne d'Études de la Présencefr-CA
dc.publisherRévue Brésilienne d'Études de la Présencefr-FR
dc.publisherRevista Brasileira de Estudos da Presençapt-BR
dc.relationhttps://seer.ufrgs.br/index.php/presenca/article/view/88202/53241-
dc.rightsCopyright (c) 2019 Revista Brasileira de Estudos da Presençapt-BR
dc.sourceBrazilian Journal on Presence Studies; Vol. 9 No. 3 (2019): Jul./Set. 2019; 01-25en-US
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 9 No. 3 (2019): Jul./Set. 2019; 01-25fr-CA
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 9 No 3 (2019): Jul./Set. 2019; 01-25fr-FR
dc.sourceRevista Brasileira de Estudos da Presença; v. 9 n. 3 (2019): Jul./Set. 2019; 01-25pt-BR
dc.source2237-2660-
dc.subjectEsthetic Principlesen-US
dc.subjectEthicsen-US
dc.subjectMarginalityen-US
dc.subjectMulticulturalismen-US
dc.subjectThird Theateren-US
dc.titleA Driving Force, Odin Teatret: Convergence of Diverse Performance Trainings in Ur-Hamleten-US
dc.typeinfo:eu-repo/semantics/article-
dc.typeinfo:eu-repo/semantics/publishedVersion-
Aparece en las colecciones: Programa de Pós-Graduação em Educação - PPGEDU/UFRGS - Cosecha

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