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https://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/166040| Título : | Passing on Dance: practices of translating the choreographies of Pina Bausch |
| Palabras clave : | Dance Theatre. Translation. Identity and Difference. |
| Editorial : | Brazilian Journal on Presence Studies Révue Brésilienne d'Études de la Présence Révue Brésilienne d'Études de la Présence Revista Brasileira de Estudos da Presença |
| Descripción : | This text aims to analyze the process of passing on choreographies, as exemplified in the work of the Tanztheater Wuppertal Pina Bausch. It presents this process as a praxis of translation. The paper discusses the limitations and possibilities of translating choreography, as well as the specific potential inherent and visible in practices of translating choreographies by Pina Bausch. From a philosophical and sociological perspective of translation theory and based on a methodology of the ‘praxeological production analysis’ (Klein, 2014a; 2015a), I’m using data gathered during rehearsals and two years of interviews with dancers and collaborators of the Tanztheater Wuppertal Pina Bausch. The text will demonstrate that the translation of choreographies is characterized by a paradox between identity and difference. |
| URI : | http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/166040 |
| Otros identificadores : | https://seer.ufrgs.br/index.php/presenca/article/view/83944 |
| Aparece en las colecciones: | Programa de Pós-Graduação em Educação - PPGEDU/UFRGS - Cosecha |
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