Red de Bibliotecas Virtuales de Ciencias Sociales en
América Latina y el Caribe

logo CLACSO

  1. Repositorio institucional de CLACSO
  2. Colección de los Centros Asociados
  3. Brasil
  4. Programa de Pós-Graduação em Educação - PPGEDU/UFRGS - Cosecha
Por favor, use este identificador para citar o enlazar este ítem: https://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/166040
Registro completo de metadatos
Campo DC Valor Lengua/Idioma
dc.creatorKlein (Hamburg University, Hamburg – Germany), Gabriele-
dc.date2018-06-23-
dc.date.accessioned2022-04-04T18:14:40Z-
dc.date.available2022-04-04T18:14:40Z-
dc.identifierhttps://seer.ufrgs.br/index.php/presenca/article/view/83944-
dc.identifier.urihttp://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/166040-
dc.descriptionThis text aims to analyze the process of passing on choreographies, as exemplified in the work of the Tanztheater Wuppertal Pina Bausch. It presents this process as a praxis of translation. The paper discusses the limitations and possibilities of translating choreography, as well as the specific potential inherent and visible in practices of translating choreographies by Pina Bausch. From a philosophical and sociological perspective of translation theory and based on a methodology of the ‘praxeological production analysis’ (Klein, 2014a; 2015a), I’m using data gathered during rehearsals and two years of interviews with dancers and collaborators of the Tanztheater Wuppertal Pina Bausch. The text will demonstrate that the translation of choreographies is characterized by a paradox between identity and difference. en-US
dc.languageeng-
dc.publisherBrazilian Journal on Presence Studiesen-US
dc.publisherRévue Brésilienne d'Études de la Présencefr-CA
dc.publisherRévue Brésilienne d'Études de la Présencefr-FR
dc.publisherRevista Brasileira de Estudos da Presençapt-BR
dc.relationhttps://seer.ufrgs.br/index.php/presenca/article/view/83944/50226-
dc.rightsCopyright (c) 2018 Revista Brasileira de Estudos da Presençapt-BR
dc.sourceBrazilian Journal on Presence Studies; Vol. 8 No. 3 (2018): Jul./Sep.2018; 393-420en-US
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 8 No. 3 (2018): Jul./Set.2018; 393-420fr-CA
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 8 No 3 (2018): Jui./Sep. 2018; 393-420fr-FR
dc.sourceRevista Brasileira de Estudos da Presença; v. 8 n. 3 (2018): Jul./Set.2018; 393-420pt-BR
dc.source2237-2660-
dc.subjectDance Theatre. Translation. Identity and Difference.en-US
dc.titlePassing on Dance: practices of translating the choreographies of Pina Bauschen-US
dc.typeinfo:eu-repo/semantics/article-
dc.typeinfo:eu-repo/semantics/publishedVersion-
Aparece en las colecciones: Programa de Pós-Graduação em Educação - PPGEDU/UFRGS - Cosecha

Ficheros en este ítem:
No hay ficheros asociados a este ítem.
Mostrar el registro sencillo del ítem


Los ítems de DSpace están protegidos por copyright, con todos los derechos reservados, a menos que se indique lo contrario.