1. Repositorio institucional de CLACSO
2. Colección de los Centros Asociados
3. Brasil
4. Programa de Pós-Graduação em Educação - PPGEDU/UFRGS - Cosecha

Título :	Wearable Flow: investigation of materiality in the production of contemporary body/artist Des Habillements en Flux: recherche des matérialités dans la production du corps/artiste contemporain Wearable Flow: investigation of materiality in the production of contemporary body/artist
Palabras clave :	Body;Dance;Costume;Movement;Wearable Flow;Body;Dance;Costume;Movement;Wearable Flow;Corps;Danse;Costume;Mouvement;Des Habillements en Flux
Editorial :	Brazilian Journal on Presence Studies Révue Brésilienne d'Études de la Présence Révue Brésilienne d'Études de la Présence Revista Brasileira de Estudos da Presença
Descripción :	This study deals with the body in relation to the costume within the context of the contemporary performing arts. We aim to analyze how the body relates directly to the elements that are part of it. We examine the specificity of the body in the creative process, which components are organized in a procedural and concomitant way. We problematize the costume in its action as coauthor in the process. The practice called Wearable Flow is presented, focused on the exploration of the materiality based on the relationship between body, movement, and what is worn in the performing production and development of the artist. Cette étude aborde le rapport entre le corps et le costume de scène dans le contexte des pratiques artistiques contemporaines. Nous sommes intéressés par un mode d’organisation dont la corporéité est impliquée aux éléments qui la composent. En ce cas, les questions que se posent dans le processus sont concomitantes à la recherche de mouvement. On problématise l’usage des costumes en tant que co-auteur de la scène dans la recherche nommée des habillements en flux, intéressée par la relation entre le corps, le mouvement et le costume dans création de la scène et dans la formation de l’artiste. This study deals with the body in relation to the costume within the context of the contemporary performing arts. We aim to analyze how the body relates directly to the elements that are part of it. We examine the specificity of the body in the creative process, which components are organized in a procedural and concomitant way. We problematize the costume in its action as coauthor in the process. The practice called Wearable Flow is presented, focused on the exploration of the materiality based on the relationship between body, movement, and what is worn in the performing production and development of the artist.
URI :	http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/165947
Otros identificadores :	https://seer.ufrgs.br/index.php/presenca/article/view/71912
Aparece en las colecciones:	Programa de Pós-Graduação em Educação - PPGEDU/UFRGS - Cosecha

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