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Por favor, use este identificador para citar o enlazar este ítem: https://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/165947
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dc.creatorDiniz (Universidade Federal do Recôncavo Baiano, Brazil), Carolina de Paula-
dc.date2017-05-07-
dc.date.accessioned2022-04-04T18:14:28Z-
dc.date.available2022-04-04T18:14:28Z-
dc.identifierhttps://seer.ufrgs.br/index.php/presenca/article/view/71912-
dc.identifier.urihttp://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/165947-
dc.descriptionThis study deals with the body in relation to the costume within the context of the contemporary performing arts. We aim to analyze how the body relates directly to the elements that are part of it. We examine the specificity of the body in the creative process, which components are organized in a procedural and concomitant way. We problematize the costume in its action as coauthor in the process. The practice called Wearable Flow is presented, focused on the exploration of the materiality based on the relationship between body, movement, and what is worn in the performing production and development of the artist.en-US
dc.descriptionCette étude aborde le rapport entre le corps et le costume de scène dans le contexte des pratiques artistiques contemporaines. Nous sommes intéressés par un mode d’organisation dont la corporéité est impliquée aux éléments qui la composent. En ce cas, les questions que se posent dans le processus sont concomitantes à la recherche de mouvement. On problématise l’usage des costumes en tant que co-auteur de la scène dans la recherche nommée des habillements en flux, intéressée par la relation entre le corps, le mouvement et le costume dans création de la scène et dans la formation de l’artiste.fr-FR
dc.descriptionThis study deals with the body in relation to the costume within the context of the contemporary performing arts. We aim to analyze how the body relates directly to the elements that are part of it. We examine the specificity of the body in the creative process, which components are organized in a procedural and concomitant way. We problematize the costume in its action as coauthor in the process. The practice called Wearable Flow is presented, focused on the exploration of the materiality based on the relationship between body, movement, and what is worn in the performing production and development of the artist.pt-BR
dc.languageeng-
dc.publisherBrazilian Journal on Presence Studiesen-US
dc.publisherRévue Brésilienne d'Études de la Présencefr-CA
dc.publisherRévue Brésilienne d'Études de la Présencefr-FR
dc.publisherRevista Brasileira de Estudos da Presençapt-BR
dc.relationhttps://seer.ufrgs.br/index.php/presenca/article/view/71912/50349-
dc.rightsCopyright (c) 2017 Revista Brasileira de Estudos da Presençapt-BR
dc.sourceBrazilian Journal on Presence Studies; Vol. 7 No. 2 (2017): Maio/Ago. 2017; 382-406en-US
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 7 No. 2 (2017): Maio/Ago. 2017; 382-406fr-CA
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 7 No 2 (2017): Maio/Ago. 2017; 382-406fr-FR
dc.sourceRevista Brasileira de Estudos da Presença; v. 7 n. 2 (2017): Maio/Ago. 2017; 382-406pt-BR
dc.source2237-2660-
dc.subjectBodyen-US
dc.subjectDanceen-US
dc.subjectCostumeen-US
dc.subjectMovementen-US
dc.subjectWearable Flowen-US
dc.subjectBodypt-BR
dc.subjectDancept-BR
dc.subjectCostumept-BR
dc.subjectMovementpt-BR
dc.subjectWearable Flowpt-BR
dc.subjectCorpsfr-FR
dc.subjectDansefr-FR
dc.subjectCostumefr-FR
dc.subjectMouvementfr-FR
dc.subjectDes Habillements en Fluxfr-FR
dc.titleWearable Flow: investigation of materiality in the production of contemporary body/artisten-US
dc.titleDes Habillements en Flux: recherche des matérialités dans la production du corps/artiste contemporainfr-FR
dc.titleWearable Flow: investigation of materiality in the production of contemporary body/artistpt-BR
dc.typeinfo:eu-repo/semantics/article-
dc.typeinfo:eu-repo/semantics/publishedVersion-
Aparece en las colecciones: Programa de Pós-Graduação em Educação - PPGEDU/UFRGS - Cosecha

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