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Título :	Splinters of the Filmic Sentence: the intermedial dramaturgy of Peter Handke Fragments de la Phrase Filmique: Peter Handke et son dramaturgie intermediale Splinters of the Filmic Sentence: the intermedial dramaturgy of Peter Handke
Palabras clave :	Performance;Intermediality;Playwright;Peter Handke;German Literature;Performance;Intermediality;Playwright;Peter Handke;German Literature;Performance;Intermédialité;Dramaturgie;Peter Handke;La Littérature Allemande
Editorial :	Brazilian Journal on Presence Studies Révue Brésilienne d'Études de la Présence Révue Brésilienne d'Études de la Présence Revista Brasileira de Estudos da Presença
Descripción :	This article presents an analysis of the first phase in Peter Handke’s work. It focuses on a theoretical concept developed by Handke to highlight his filmic sentence. Upon analysis of several of his works, it appears that this aesthetic sensibility pervaded his theater, his novels, his debut as a filmmaker and the scripts he wrote in collaboration with Wim Wenders. As an interpretative summary of his work, the paper defends the existence of a link between the practice of ekphrasis and the emergence of an intermedial dramaturgy, in which the writing gesture needs to reinvent itself between languages borders, media, new technologies and materialities. L’article présente une analyse de l’ensemble de la première phase de l’oeuvre de l’écrivain Peter Handke. On part d’une conception théorique développé par Handke lui-même, qui culmine a la phrase filmique. Au long de l’analyse on passe pour plusieurs ouvrages pour marquer que cette perception esthétique est présente dans son théâtre, ses romans, son premier film en tant que metteur en scène et les scripts de sa collaboration avec Wim Wenders. Pour résumé et interpréter son travail, l’article propose un lien entre la pratique de ekphrasis et l’émergence d’une dramaturgie intermédiale, dans laquelle le geste d’écriture doit se réinventer entre langages, frontières, les médias et des nouvelles technologies. This article presents an analysis of the first phase in Peter Handke’s work. It focuses on a theoretical concept developed by Handke to highlight his filmic sentence. Upon analysis of several of his works, it appears that this aesthetic sensibility pervaded his theater, his novels, his debut as a filmmaker and the scripts he wrote in collaboration with Wim Wenders. As an interpretative summary of his work, the paper defends the existence of a link between the practice of ekphrasis and the emergence of an intermedial dramaturgy, in which the writing gesture needs to reinvent itself between languages borders, media, new technologies and materialities.
URI :	http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/165945
Otros identificadores :	https://seer.ufrgs.br/index.php/presenca/article/view/71007
Aparece en las colecciones:	Programa de Pós-Graduação em Educação - PPGEDU/UFRGS - Cosecha

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