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dc.creatorMartins (Universidade Brasília, Brazil), Pablo Gonçalo Pires de Campos-
dc.date2017-05-07-
dc.date.accessioned2022-04-04T18:14:28Z-
dc.date.available2022-04-04T18:14:28Z-
dc.identifierhttps://seer.ufrgs.br/index.php/presenca/article/view/71007-
dc.identifier.urihttp://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/165945-
dc.descriptionThis article presents an analysis of the first phase in Peter Handke’s work. It focuses on a theoretical concept developed by Handke to highlight his filmic sentence. Upon analysis of several of his works, it appears that this aesthetic sensibility pervaded his theater, his novels, his debut as a filmmaker and the scripts he wrote in collaboration with Wim Wenders. As an interpretative summary of his work, the paper defends the existence of a link between the practice of ekphrasis and the emergence of an intermedial dramaturgy, in which the writing gesture needs to reinvent itself between languages borders, media, new technologies and materialities.en-US
dc.descriptionL’article présente une analyse de l’ensemble de la première phase de l’oeuvre de l’écrivain Peter Handke. On part d’une conception théorique développé par Handke lui-même, qui culmine a la phrase filmique. Au long de l’analyse on passe pour plusieurs ouvrages pour marquer que cette perception esthétique est présente dans son théâtre, ses romans, son premier film en tant que metteur en scène et les scripts de sa collaboration avec Wim Wenders. Pour résumé et interpréter son travail, l’article propose un lien entre la pratique de ekphrasis et l’émergence d’une dramaturgie intermédiale, dans laquelle le geste d’écriture doit se réinventer entre langages, frontières, les médias et des nouvelles technologies.fr-FR
dc.descriptionThis article presents an analysis of the first phase in Peter Handke’s work. It focuses on a theoretical concept developed by Handke to highlight his filmic sentence. Upon analysis of several of his works, it appears that this aesthetic sensibility pervaded his theater, his novels, his debut as a filmmaker and the scripts he wrote in collaboration with Wim Wenders. As an interpretative summary of his work, the paper defends the existence of a link between the practice of ekphrasis and the emergence of an intermedial dramaturgy, in which the writing gesture needs to reinvent itself between languages borders, media, new technologies and materialities.pt-BR
dc.languageeng-
dc.publisherBrazilian Journal on Presence Studiesen-US
dc.publisherRévue Brésilienne d'Études de la Présencefr-CA
dc.publisherRévue Brésilienne d'Études de la Présencefr-FR
dc.publisherRevista Brasileira de Estudos da Presençapt-BR
dc.relationhttps://seer.ufrgs.br/index.php/presenca/article/view/71007/50351-
dc.rightsCopyright (c) 2017 Revista Brasileira de Estudos da Presençapt-BR
dc.sourceBrazilian Journal on Presence Studies; Vol. 7 No. 2 (2017): Maio/Ago. 2017; 407-433en-US
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 7 No. 2 (2017): Maio/Ago. 2017; 407-433fr-CA
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 7 No 2 (2017): Maio/Ago. 2017; 407-433fr-FR
dc.sourceRevista Brasileira de Estudos da Presença; v. 7 n. 2 (2017): Maio/Ago. 2017; 407-433pt-BR
dc.source2237-2660-
dc.subjectPerformancept-BR
dc.subjectIntermedialitypt-BR
dc.subjectPlaywrightpt-BR
dc.subjectPeter Handkept-BR
dc.subjectGerman Literaturept-BR
dc.subjectPerformanceen-US
dc.subjectIntermedialityen-US
dc.subjectPlaywrighten-US
dc.subjectPeter Handkeen-US
dc.subjectGerman Literatureen-US
dc.subjectPerformancefr-FR
dc.subjectIntermédialitéfr-FR
dc.subjectDramaturgiefr-FR
dc.subjectPeter Handkefr-FR
dc.subjectLa Littérature Allemandefr-FR
dc.titleSplinters of the Filmic Sentence: the intermedial dramaturgy of Peter Handkeen-US
dc.titleFragments de la Phrase Filmique: Peter Handke et son dramaturgie intermedialefr-FR
dc.titleSplinters of the Filmic Sentence: the intermedial dramaturgy of Peter Handkept-BR
dc.typeinfo:eu-repo/semantics/article-
dc.typeinfo:eu-repo/semantics/publishedVersion-
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