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Por favor, use este identificador para citar o enlazar este ítem: https://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/165861
Título : Actor-Subjects, their Voice, and their Relationship with the Mother Figure
Actor-Subjects, their Voice, and their Relationship with the Mother Figure
Actor-Subjects, their Voice, and their Relationship with the Mother Figure
Palabras clave : Voice;Mother;Theater;Narratives of the Self;Foucault;Voice;Mother;Theater;Narratives of the Self;Foucault;Voice;Mother;Theater;Narratives of the Self;Foucault
Editorial : Brazilian Journal on Presence Studies
Révue Brésilienne d'Études de la Présence
Révue Brésilienne d'Études de la Présence
Revista Brasileira de Estudos da Presença
Descripción : This paper aims to investigate, employing Foucault’s archaeological approach, notions of subjectivity in which actors become subjects of their own musical practice, particularly of their vocal expression. The empirical materials are narratives and interviews with professionals from the performing arts, who execute the soundtracks of their live performances vocally and through the use of musical instruments. In this paper we analyze the predominant presence of the voice of the mother figure in the memories of actors-musicians. 
This paper aims to investigate, employing Foucault’s archaeological approach, notions of subjectivity in which actors become subjects of their own musical practice, particularly of their vocal expression. The empirical materials are narratives and interviews with professionals from the performing arts, who execute the soundtracks of their live performances vocally and through the use of musical instruments. In this paper we analyze the predominant presence of the voice of the mother figure in the memories of actors-musicians. 
This paper aims to investigate, employing Foucault’s archaeological approach, notions of subjectivity in which actors become subjects of their own musical practice, particularly of their vocal expression. The empirical materials are narratives and interviews with professionals from the performing arts, who execute the soundtracks of their live performances vocally and through the use of musical instruments. In this paper we analyze the predominant presence of the voice of the mother figure in the memories of actors-musicians. 
URI : http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/165861
Otros identificadores : https://seer.ufrgs.br/index.php/presenca/article/view/59705
Aparece en las colecciones: Programa de Pós-Graduação em Educação - PPGEDU/UFRGS - Cosecha

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