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dc.creatorRasslan, Simone Nogueira-
dc.creatorFischer (Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre/RS, Brazil), Rosa Maria Bueno-
dc.date2015-11-02-
dc.date.accessioned2022-04-04T18:14:15Z-
dc.date.available2022-04-04T18:14:15Z-
dc.identifierhttps://seer.ufrgs.br/index.php/presenca/article/view/59705-
dc.identifier.urihttp://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/165861-
dc.descriptionThis paper aims to investigate, employing Foucault’s archaeological approach, notions of subjectivity in which actors become subjects of their own musical practice, particularly of their vocal expression. The empirical materials are narratives and interviews with professionals from the performing arts, who execute the soundtracks of their live performances vocally and through the use of musical instruments. In this paper we analyze the predominant presence of the voice of the mother figure in the memories of actors-musicians. en-US
dc.descriptionThis paper aims to investigate, employing Foucault’s archaeological approach, notions of subjectivity in which actors become subjects of their own musical practice, particularly of their vocal expression. The empirical materials are narratives and interviews with professionals from the performing arts, who execute the soundtracks of their live performances vocally and through the use of musical instruments. In this paper we analyze the predominant presence of the voice of the mother figure in the memories of actors-musicians. fr-CA
dc.descriptionThis paper aims to investigate, employing Foucault’s archaeological approach, notions of subjectivity in which actors become subjects of their own musical practice, particularly of their vocal expression. The empirical materials are narratives and interviews with professionals from the performing arts, who execute the soundtracks of their live performances vocally and through the use of musical instruments. In this paper we analyze the predominant presence of the voice of the mother figure in the memories of actors-musicians. pt-BR
dc.languageeng-
dc.publisherBrazilian Journal on Presence Studiesen-US
dc.publisherRévue Brésilienne d'Études de la Présencefr-CA
dc.publisherRévue Brésilienne d'Études de la Présencefr-FR
dc.publisherRevista Brasileira de Estudos da Presençapt-BR
dc.relationhttps://seer.ufrgs.br/index.php/presenca/article/view/59705/50471-
dc.sourceBrazilian Journal on Presence Studies; Vol. 6 No. 1 (2016): jan./abr. 2016; 47-70en-US
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 6 No. 1 (2016): jan./abr. 2016; 47-70fr-CA
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 6 No 1 (2016): jan./ abr. 2016; 47-70fr-FR
dc.sourceRevista Brasileira de Estudos da Presença; v. 6 n. 1 (2016): jan./abr. 2016; 47-70pt-BR
dc.source2237-2660-
dc.subjectVoiceen-US
dc.subjectMotheren-US
dc.subjectTheateren-US
dc.subjectNarratives of the Selfen-US
dc.subjectFoucaulten-US
dc.subjectVoicefr-CA
dc.subjectMotherfr-CA
dc.subjectTheaterfr-CA
dc.subjectNarratives of the Selffr-CA
dc.subjectFoucaultfr-CA
dc.subjectVoicept-BR
dc.subjectMotherpt-BR
dc.subjectTheaterpt-BR
dc.subjectNarratives of the Selfpt-BR
dc.subjectFoucaultpt-BR
dc.titleActor-Subjects, their Voice, and their Relationship with the Mother Figureen-US
dc.titleActor-Subjects, their Voice, and their Relationship with the Mother Figurefr-CA
dc.titleActor-Subjects, their Voice, and their Relationship with the Mother Figurept-BR
dc.typeinfo:eu-repo/semantics/article-
dc.typeinfo:eu-repo/semantics/publishedVersion-
Aparece en las colecciones: Programa de Pós-Graduação em Educação - PPGEDU/UFRGS - Cosecha

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