Red de Bibliotecas Virtuales de Ciencias Sociales en
América Latina y el Caribe

logo CLACSO

Por favor, use este identificador para citar o enlazar este ítem: https://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/128546
Registro completo de metadatos
Campo DC Valor Lengua/Idioma
dc.contributores-ES
dc.contributoren-US
dc.creatorGallardo Lorenzo, Ángeles-
dc.creatorOrtega Ruiz, Rosario-
dc.creatorVega Gea, Esther-
dc.creatorGómez Ortiz, Olga-
dc.date2017-02-21-
dc.date.accessioned2022-03-25T19:01:43Z-
dc.date.available2022-03-25T19:01:43Z-
dc.identifierhttps://ojs.uv.es/index.php/LEEME/article/view/9872-
dc.identifier10.7203/LEEME.36.9872-
dc.identifier.urihttp://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/128546-
dc.descriptionEl objetivo de esta investigación ha sido constatar la cualidad psicométrica de dos cuestionarios diseñados para evaluar las creencias motivacionales e identificar estrategias específicas de memorización en la interpretación pianística, variables que delimitan entornos de aprendizaje de alto nivel según las teorías del desarrollo de la competencia experta. La versión definitiva de ambos instrumentos fue administrada a una muestra de estudiantes de enseñanza superior de música de la especialidad de piano (N=121). La evidencia de validez se obtuvo mediante el análisis factorial exploratorio y el análisis factorial confirmatorio que indicaron buenos índices de ajuste, fiabilidad y consistencia para dos modelos. El primero de ellos con índices de ajuste de X2 S-B = 856.46 (490), p = 0.000; X2 S-B/G.L = 1.74; NNFI = 0.97; CFI = 0.97; RMSEA = 0.07, identifica una estructura de cuatro variables motivacionales, utilidad, valor, autoeficacia y ansiedad cognitiva en la Interpretación pianística. El segundo, con valores de X2 S-B = 835.00 (485), p = 0.000; X2 S- B/G.L = 1.72; NNFI = 0.95; CFI = 0.96; RMSEA = 0.07, identifica cinco tipos de estrategias de memorización, memoria analíticaorganizativa, memoria perceptual-contextual, memoria gestual-emocional, memoria conceptual-elaborativa, y estrategias de regulación de la práctica memorística. Los resultados obtenidos sugieren la idoneidad de los instrumentos diseñados para implementarse en el contexto español donde son escasos los instrumentos de encuesta aplicados al aprendizaje musical que respondan a criterios de validez y fiabilidad. La información obtenida contribuirá a la comprensión de los procesos memorísticos y a la mejora de la enseñanza conducente a la cualificación del pianista profesional.es-ES
dc.descriptionThe aim of this investigation has been to validate the psychometric qualities of two questionnaires designed to evaluate motivational beliefs and identify specific strategies for the memorization of pianistic interpretation, variables that define high-level learning environments according to theories of expert competency development. The final versions of both questionnaires were administered to a sample of piano students in higher music education (N=121). Through Exploratory and Confirmatory Factorial Analysis, it has been indicated the good adjustment indices and reliability rates in both models developed. First model, which is described by X2 S-B = 856.46 (490), p = 0.000; X2 S-B/G.L = 1.74; NNFI = 0.97; CFI = 0.97; RMSEA = 0.07, identifies four motivational variables: utility, value, self-efficacy and cognitive anxiety. The second one (with values X2 S-B = 835.00 (485), p = 0.000; X2 S-B/G.L = 1.72; NNFI = 0.95; CFI = 0.96; RMSEA = 0.07) identifies five types of memorizing strategies; analytical-organizational memory, perceptualcontextual memory, emotional-gestural memory and self-regulation processes or meta-cognition. The results suggest that the implementation would be appropriate in a Spanish context, where survey instruments complying with validity and reliability criteria for utilization in musical instrument studies are scarce. The information obtained will contribute to a better understanding of rote learning processes and to improvements in teaching leading to a professional pianist qualification.en-US
dc.formatapplication/pdf-
dc.languagespa-
dc.publisherUniversitat de Valènciaes-ES
dc.relationhttps://ojs.uv.es/index.php/LEEME/article/view/9872/9291-
dc.relation/*ref*/<div class="WordSection1"> <p style="text-align: justify;">AERA, APA y NCME. (1999). <em>Standards for Educational and Psychological Testing. </em>Washington DC: American Psychological Association, American Educational Research Association, National Council on Measurement in Education.</p> <p style="text-align: justify;">Alonso, C., Gallego, D. y Honey, P. (2002). <em>Los Estilos de Aprendizaje. Procedimientos de Diagn&oacute;stico y Mejora. </em>Madrid: Mensajero.</p> <p style="text-align: justify;">Aiello, R. y Williamon, A. (2002). Memory. En R. A. Parncutt (Ed.), <em>The Science and Psychology of Music Performance: Creative Strategies for Teaching and Learning. </em>New York: Oxford University Press.</p> <p style="text-align: justify;">Austin, J., Renwick, J. y McPherson, G. (2006). Developing motivation. En G. E. McPherson (Ed.), <em>The Child as Musician </em>(p&aacute;gs. 213-238). Oxford: Oxford University Press.</p> <p style="text-align: justify;">Bentler, P. (2005). <em>EQS Structural Equations Program Manual. </em>Encino, CA: Multivariate Software. Recuperado de <a href="http://www.libvolume8.xyz/sociology/ba/semester4/socialproblemsinindia/structuralissues/struc">http://www.libvolume8.xyz/sociology/ba/semester4/socialproblemsinindia/structuralissues/struc</a> <span style="text-decoration: underline;">turalissuesnotes2.pdf</span></p> </div> <p style="text-align: justify;">Carmines, E. y McIver, J. (1983). An Introduction to the Analysis of Models with Unobserved Variables. <em>Society for Political Methodology, 9</em>(1), (Special issue on modeling), 51-102. Recuperado de <a href="http://www.jstor.org/stable/25791175">http://www.jstor.org/stable/25791175</a></p> <div class="WordSection2" style="text-align: justify;"> <p>Cea D&acute;Ancona, M. (2004). <em>M&eacute;todos de encuesta. Teor&iacute;a y pr&aacute;ctica, errores y mejora. </em>Madrid: Editorial S&iacute;ntesis.</p> <p>Chaffin, R., Logan T. y Begosh, K.T. (2009). Performing from memory. En S. Hallam, I. Cross, y M. Thaut (Eds.), <em>Oxford Handbook of Music Psychology </em>(p&aacute;gs. 352-363). Oxford: University Press.</p> <p>Deli&egrave;ge, L. y Sloboda J. A. (1998). <em>Musical Beginings. Origins and Development of Musical Competence. </em>Oxford: Oxford University Press.</p> <p>Elosua, P. y Zumbo, B. D. (2008). Coeficientes de fiabilidad para escalas de respuesta categ&oacute;rica ordenada. <em>Psicothema, 20</em>(4), 896-901. Recuperado de <a href="http://www.psicothema.com/pdf/3572.pdf">http://www.psicothema.com/pdf/3572.pdf</a></p> <p>Ericsson K. A. y Smith J. (1991). Prospects and limits in the empirical study of expertise: an introduction. En K. A. Ericsson, y J. Smith (Eds.) T<em>oward a General Theory of Expertise: Prospects and Limits</em>. (p&aacute;gs. 1-38) Cambridge: Cambridge University Press.</p> <p>Ericsson, K. A. (Ed). (2009). <em>Development of Professional Expertise Toward Measurement of Expert Performance and Design of Opitmal Learning Enviroments. </em>Cambridge: University Press.</p> <p>Feltovich, P. J., Prietula, M. J. y Ericsson, K. A. (2006). Studies of Expertise from Psychological Perspectives. En K. A. Ericsson, N. Charness, P. J. Feltovich, &amp; R. R. Hoffman (Eds.), <em>The Cambridge Handbook of Expertise and Expert Performance </em>(p&aacute;gs. 41-67). New York, NY, US: Cambridge University Press</p> <p>Flora, D. y Curran, P. (2004). An Empirical Evaluation of Alternative Methods of Estimation for Confirmatory Factor Analysis With Ordinal Data. <em>Psychological Methods, 9</em>, 466-491. Recuperado de <a href="http://www.statmodel.com/download/floracurran.pdf">https://www.stat</a><span style="text-decoration: underline;">model.co</span><a href="http://www.statmodel.com/download/floracurran.pdf">m/download/floracurran.pdf</a></p> <p>Garc&iacute;a-Mart&iacute;nez, E. (2010). <em>Evaluaci&oacute;n de las estrategias metacognitivas en el aprendizaje de contenidos musicales y su relaci&oacute;n con el rendimiento acad&eacute;mico musical. </em>Tesis doctoral, Universitat de Val&egrave;ncia. Departament de Psicologia Evolutiva i de l'Educaci&oacute;. Recuperado de <a href="http://www.tdx.cat/handle/10803/62136">http://www.tdx.cat/handle/10803/62136</a></p> <p>Gilar R. y Castej&oacute;n J. L. (2003). <em>El Desarrollo de la competencia experta. Implicaciones para la ense&ntilde;anza. </em>Alicante: Editorial Club Universitario.</p> <p>Hallam, S. (1997). The development of memorization strategies in musicians: implications for education. <em>British Journal of Music, 14</em>(1), 87-97. Recuperado de <a href="http://dx.doi.org/10.1017/S0265051700003466">http://dx.doi.org/10.1017/S0265051700003466</a></p> <p>Hallam, S. (2001). The development of metacognition in musicians: Implications for education. <em>British Journal of Music Education, 18</em>, 27. Recuperado de <a href="http://eprints.ioe.ac.uk/2212/1/Hallam2001development27">http://eprints.ioe.ac.uk/2212/1/Hallam2001development27</a></p> </div> <p style="text-align: justify;">Hallam, S. (2002). Musical Motivation: Towards a model synthesising the research. <em>Music Education Research, 4 (2), 225-244.&nbsp;</em>Recuperado de&nbsp;<a href="http://www.tandfonline.com/doi/abs/10.1080/1461380022000011939">http://www.tandfonline.com/doi/abs/10.1080/1461380022000011939</a></p> <div class="WordSection3" style="text-align: justify;"> <p>Hallam, S. Rinta, T., Varvarigou, M.,Creech, A., Papageorgi, I., Gomes, T. y Lanipekum, J. (2012). The development of practising strategies in young people. <em>Psychology of Music, 40</em>(5), 652&ndash;680. Recuperado de <a href="http://pom.sagepub.com/content/40/5/652.full.pdf%2Bhtml">http://pom.sagepub.com/content/40/5/652.full.pdf+html</a></p> <p>Holmes, P. (2005). Imagination in practice: a study of the integrated roles of interpretation, imagery and technique in the learning and memorisation processes of two experienced solo performers. <em>British Journal of Music Education, 22</em>(3), 217-235. Recuperado de <a href="http://dx.doi.org/10.1017/S0265051705006613">http://dx.doi.org/10.1017/S0265051705006613</a></p> <p>Hu, L. y Bentler, P. (1999). Cutoff criteria for fi t indexes in covariance structure analysis: Conventional criteria versus new alternatives. <em>Structural Equation Modeling, 6</em>, 1-55. Recuperado de <a href="http://www.tandfonline.com/doi/pdf/10.1080/10705519909540118#.VUXgwvntmko">http://www.tandfonline.com/doi/pdf/10.1080/10705519909540118#.VUXgwvntmko</a></p> <p>Lehmann, A. C. y Ericsson, K. A. (1998). Preparation of a Public Piano Performance: The Relation between Practice and Performance. <em>Musicae Scientiae, 2</em>(1), 67-84. Recuperado de <a href="http://msx.sagepub.com/content/2/1/67.full.pdf%2Bhtml">http://msx.sagepub.com/content/2/1/67.full.pdf+html</a></p> <p>Lorenzo-Seva, U. y Ferrando, P. J. (2006). FACTOR: A computer program to fit the exploratory factor analysis model. <em>Behavioral Research Methods, Instruments and Computers, 38</em>(1), 88-91.</p> <p>Matthay, T. (1980). On Memorizing and Playing from Memory and on Practice generally (1926 original ed.). London: Oxford University Press.</p> <p>McPherson, G. y McCormick, J. (July de 2006). Self-efficacy and music performance. <em>Psychology of Music, 34</em>, 322-336. Recuperado de <a href="http://pom.sagepub.com/content/34/3/322.refs.html">http://pom.sagepub.com/content/34/3/322.refs.html</a></p> <p>McPherson, G. y Renwick, J. (2000). Self-regulation and Musical Practice. En C. Woods, G. Luck, R. Brochard, F. Seddon, y J. A. Sloboda (Eds.), <em>Proceedings of the 6th International Conference on Music Perception &amp; Cognition. </em>UK: Keele University Department of Psychology. Recuperado de <a href="http://www.escom.org/proceedings/ICMPC2000/Sun/McPherso.htm">http://www.escom.org/proceedings/ICMPC2000/Sun/McPherso.htm</a></p> <p>McPherson, G. y Zimmerman, B. J. (2002). Self-regulation of Musical Learning: a Social Cognitive Perspective. En R. Colwell (Ed.), <em>The New Handbook on Music Teaching and Learning </em>(p&aacute;gs. 327-347). New York: Oxford University Press.</p> <p>Miksza, P. (2007). Effective Practice: An Investigation of Observed Practice Behaviors, Self- Reported Practice Habits, and the Performance Achievement of High School Wind Players. <em>Journal of Research in Music Education, 55</em>, 359-375. Recuperado de <a href="http://jrm.sagepub.com/content/55/4/359.full.pdf">http://jrm.sagepub.com/content/55/4/359.full.pdf</a></p> <p>Miksza, P. (2012). The Development of a Measure of Self-Regulated Practice Behavior for Beginning and Intermediate Instrumental Music Students. <em>Journal of Research in Music Education, 59</em>, 321. Recuperado de <a href="http://jrm.sagepub.com/content/59/4/321">http://jrm.sagepub.com/content/59/4/321</a></p> </div> <p style="text-align: justify;">Mishra, J. (2002). Context-Dependent Memory: Implications for Musical Performance. <em>Investigating Music Performance. Proceedings of SRPMME Conference. </em>London: Royal College of Music. Recuperado de <a href="http://www.uh.edu/~tkoozin/cognition/Mishra%2BCDM%2BUpdate.pdf">http://www.uh.edu/~tkoozin/cognition/Mishra+CDM+Update.pdf</a></p> <div class="WordSection4" style="text-align: justify;"> <p>Mishra, J. (2004). A Model of Music Memory . En L. A. Evanston (Ed.), <em>Procedings of ICMPC8. </em>Australia: Casual productions, Adelaide. Recuperado de <a href="http://www.icmpc8.umn.edu/proceedings/ICMPC8/PDF">http://www.icmpc8.umn.edu/proceedings/ICMPC8/PDF</a></p> <p>Montero, I. y Le&oacute;n, O.G. (2005). Sistema de clasificaci&oacute;n del m&eacute;todo en los informes de investigaci&oacute;n en Psicolog&iacute;a. <em>International Journal of Clinical and Health Psychology, 5</em>(1), 115-127. Recuperado de <a href="http://www.aepc.es/ijchp/SCMIIP.pdf">http://www.aepc.es/ijchp/SCMIIP.pdf</a></p> <p>Neuhaus H. (1985). <em>El arte del piano </em>(ed. orig. 1958). Madrid: Real Musical.</p> <p>Nielsen, S. (2001). Self-regulating Learning Strategies in Instrumental Music Practice. <em>In Music Education Research, 3</em>(2). Recuperado de <a href="http://iscorewiki.wikispaces.com/file/view/instrumental%2Bmusic%2BSRL%2BNielsen%2B2001.pdf">http://iscorewiki.wikispaces.com/file/view/instrumental+music+SRL+Nielsen+2001.pdf</a></p> <p>O'Neill, S. y McPherson, G. (2002). Motivation. En R. Parncutt, &amp; G. McPherson (Eds.), <em>The Science and Psychology of Music Performance: Creative Strategies for Teaching and Learning </em>(p&aacute;gs. 31-46). New York: Oxford University Press.</p> <p>Palmer, C. (1997). Music Performance. Annual Review of Psychology. <em>48</em>, 115-138. Recuperado de <a href="http://www.mcgill.ca/files/spl/annrev97.pdf">http://www.mcgill.ca/files/spl/annrev97.pdf</a></p> <p>Pintrich, P. R. y De Groot, E. (1990). Motivational and Self-Regulated Learning Components of Classroom Academic Performance. <em>Journal of Educational Psychology, 82</em>, 33-40. Recuperado de <a href="http://web.stanford.edu/dept/SUSE/projects/ireport/articles/self-regulation/self-">http://web.stanford.edu/dept/SUSE/projects/ireport/articles/self-regulation/self-</a> <span style="text-decoration: underline;">regulated%20learning-motivation.pdf</span></p> <p>Pintrich, P.R., Smith, D., Garc&iacute;a, T. y McKeachie, W. (1991). <em>A Manual for the Use of the Motivated. Strategies for Learning Questionnaire (MSLQ). </em>National Center for Research to Improve Postsecondary Teaching and Learning. University of Michigan. Recuperado de <a href="http://files.eric.ed.gov/fulltext/ED338122.pdf">http://files.eric.ed.gov/fulltext/ED338122.pdf</a></p> <p>Segalowitz N., Cohen P., Chan A., Prieur, T. (2001). Musical Recall Memory: Contributions of Elaboration and Depth of Processing Society for Research Education. <em>Psychology of Music and Music, 29</em>, 139-148. Recuperado de <a href="http://web.me.com/normansegalowitz/NS-Site/Pubs_2000-">http://web.me.com/normansegalowitz/NS-Site/Pubs_2000-</a> <span style="text-decoration: underline;">04_files/2001-Segalowitz %20et%20al-MUS.pdf</span></p> <p>Sierra, R. (1999). <em>Tesis doctorales y trabajos de investigaci&oacute;n cient&iacute;fica: metodolog&iacute;a general de su elaboraci&oacute;n y documentaci&oacute;n. </em>Madrid: Paraninfo.</p> <p>Sloboda, J. A. (1985). <em>The Musical Mind: The Cognitive Psychology of Music. </em>Oxford: University Press.</p> </div> <p style="text-align: justify;">Ten Berge, M. F. y Sočan, G. (December de 2004). The greatest lower bound to the reliability of a test and the hypothesis of unidimensionality. <em>Psychometrika, 69</em>(4), 613-625. Recuperado de <a href="http://link.springer.com/article/10.1007%2FBF02289858">http://link.springer.com/article/10.1007%2FBF02289858</a></p> <p style="text-align: justify;">Williamon, A. (1999). The Value of Performing from Memory. <em>Psychology of Music, 27</em>(1 ), 84-95. Recuperado de <a href="http://pom.sagepub.com/content/27/1/84">http://pom.sagepub.com/content/27/1/84</a></p> <p style="text-align: justify;">Williams, A. M. y Ericsson, K. A. (2008). From the Guest Editors: How Do Experts Learn? <em>Journal of Sport and Exercise Psychology, 30</em>, 1-11. Recuperado de <a href="http://nsw.baseball.com.au/Portals/29/Pathway%20Data/TID%20%26%20Talent%20Development">http://nsw.baseball.com.au/Portals/29/Pathway%20Data/TID%20&amp;%20Talent%20Development</a>&nbsp;<span style="text-decoration-line: underline;">/From%20the%20Guest%20Editors%20-%20How%20Do%20Experts%20Learn.pdf</span></p> <p style="text-align: justify;">Worthington, R. L. y Whittaker, T. A. (2006). Scale development research a content analysis and recommendations for best practices. <em>The Counseling Psychologist, 4</em>, 806&ndash;838. Recuperado de <a href="http://www.nbu.bg/webs/clubpsy/Materiali%20za%20kachvane/Library/razlichni%20lekcii%20">http://www.nbu.bg/webs/clubpsy/Materiali%20za%20kachvane/Library/razlichni%20lekcii%20</a> <span style="text-decoration: underline;">na%20angliiski/Scale%20Development%20Research.pdf</span></p>-
dc.sourceElectronic Journal of Music in Education; Núm. 36 (2015): Revista Electrónica de LEEME; 31-49en-US
dc.sourceRevista Electrónica de LEEME; Núm. 36 (2015): Revista Electrónica de LEEME; 31-49es-ES
dc.source1575-9563-
dc.subjectes-ES
dc.subjectInstrumentos psicométricos; análisis factorial; cuestionario; motivación; estrategias de memorización; interpretación pianística.es-ES
dc.subjecten-US
dc.subjectPsychometric Instruments; Factor Analysis; Questionnaire; Motivation; Memorization Strategies; Piano Performance.en-US
dc.titleValidación de dos instrumentos de medida para evaluar las creencias motivacionales y las estrategias de práctica en los procesos de memorización en la Interpretación pianísticaes-ES
dc.titleValidation of Two Measurements Instruments to Assess Motivational Beliefs and Performance Strategies in the Processes of Memorization in Piano Performanceen-US
dc.typeinfo:eu-repo/semantics/article-
dc.typeinfo:eu-repo/semantics/publishedVersion-
dc.typeArtículo revisado por pareses-ES
dc.typees-ES
dc.typeen-US
Aparece en las colecciones: Institut Universitari de Creativitat i Innovacions Educatives - ICIE - Cosecha

Ficheros en este ítem:
No hay ficheros asociados a este ítem.


Los ítems de DSpace están protegidos por copyright, con todos los derechos reservados, a menos que se indique lo contrario.