Iconoclasia,  performance y la opacidad de la presencia

dc.creator	RODRIGO DÍAZ CRUZ
dc.date	2017
dc.date.accessioned	2022-03-22T19:06:40Z
dc.date.available	2022-03-22T19:06:40Z
dc.identifier	http://www.redalyc.org/articulo.oa?id=74753721002
dc.identifier.uri	http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/97259
dc.description	I conoclasm , P erformance and T he o pacITy of p resence . In Literature, it has been stated that the notion of per- formance is articulated together with creation of pres - ence . I intend to explore and deepen in this constitutive and essential concept. This defense of presence defies a widely rooted concept in some social theories and perspectives in the Area of Humanities, according to which interpretation identification and attribution of meaning must be its central practice, or even its exclusive right. From classic examples of iconoclasm, I am interested in emphazising how effect-of-presence and effect-of-meaning interweave.
dc.format	application/pdf
dc.language	es
dc.publisher	Universidad Autónoma Metropolitana Unidad Iztapalapa
dc.relation	http://www.redalyc.org/revista.oa?id=747
dc.rights	Alteridades
dc.source	Alteridades (México) Num.54 Vol.27
dc.subject	Antropología
dc.subject	Ritual
dc.subject	effect-of-presence
dc.subject	effect-of-mean-ing
dc.subject	art
dc.title	Iconoclasia, performance y la opacidad de la presencia
dc.type	artículo científico