Jasidismo, cábala y rock en el proyecto musical de Atzmus

dc.creator	Damian Setton
dc.date	2016
dc.date.accessioned	2022-03-22T19:06:30Z
dc.date.available	2022-03-22T19:06:30Z
dc.identifier	http://www.redalyc.org/articulo.oa?id=74747921008
dc.identifier.uri	http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/97232
dc.description	This paper analyzes the crossing among rock, Hasidism and Cabbala in the spiritual-musical prac - tices of a tzmus rock band. i t examines how the band is positioned in the social space of rock, unlike the circuit of religious music, and shows the way in which it combines a wide spreading form and another one that communitizes and ethniticies the idea of Cabbala and Hasidism, a process related to the construction of the meaning of their practices.
dc.format	application/pdf
dc.language	es
dc.publisher	Universidad Autónoma Metropolitana Unidad Iztapalapa
dc.relation	http://www.redalyc.org/revista.oa?id=747
dc.rights	Alteridades
dc.source	Alteridades (México) Num.51 Vol.26
dc.subject	Antropología
dc.subject	Jewish orthodoxy
dc.subject	ethnicity
dc.subject	music
dc.subject	Chabad Lubavitch
dc.subject	spirituality
dc.subject	religiosity
dc.title	Jasidismo, cábala y rock en el proyecto musical de Atzmus
dc.type	artículo científico