Descripción:
This paper analyzes the crossing among rock, Hasidism and Cabbala in the spiritual-musical prac - tices of a tzmus rock band. i t examines how the band is positioned in the social space of rock, unlike the circuit of religious music, and shows the way in which it combines a wide spreading form and another one that communitizes and ethniticies the idea of Cabbala and Hasidism, a process related to the construction of the meaning of their practices.