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| dc.creator | Arango Melo, Ana María | |
| dc.date | 2004 | |
| dc.date.accessioned | 2023-03-27T17:14:05Z | |
| dc.date.available | 2023-03-27T17:14:05Z | |
| dc.identifier | 0120-4807 | |
| dc.identifier | https://www.redalyc.org/articulo.oa?id=79105705 | |
| dc.identifier.uri | https://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/227229 | |
| dc.description | "Contemporary spaces for artistic creation, whose end isthe recovery of cultural roots and heritages, make evidentthe role intelectuals play in the construction of emergingidentities in global and deterritorialized contexts.Odantalan, a musical creation and improvisationworkshop realized in Luanda (Angola), is without a doubt,one of these spaces. The objective of this workshop is tostrengthen a cultural identity through the encounter withthe musical and symbolic legacy of the bakongo peoplethat are reproduced in the new world. This paper exposesthe etnographic exercise realized in Odantalan. Thus, -byquestioning the search for ancestral traces and the urgencyprovoked by the denial of the colonial legacy, this papercenters on this project s organizers and intelectuals andtheir discourse on artistic creation, symbolic interests andthe identity of participating musicians" | |
| dc.format | application/pdf | |
| dc.language | en | |
| dc.publisher | Pontificia Universidad Javeriana | |
| dc.relation | http://www.redalyc.org/revista.oa?id=791 | |
| dc.rights | Universitas Humanística | |
| dc.source | Universitas Humanística (Colombia) Num.57 | |
| dc.subject | Antropología | |
| dc.subject | fusion | |
| dc.subject | Identity | |
| dc.subject | ethnomusicology | |
| dc.title | Realidades y ficciones de una búsqueda de herencias musicales y simbólicas Bakongo (Angola) | |
| dc.type | artículo científico |
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