Diluted Presence in Rouge Mékong: a proposition for the intermedial scene

Oliveira (Universidade Federal do Maranhão – UFMA, São Luís/MA, Brazil), Fernanda Areias; Isaacsson, Marta; Biasuz (Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre/RS, Brazil), Maria Cristina

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dc.creator	Oliveira (Universidade Federal do Maranhão – UFMA, São Luís/MA, Brazil), Fernanda Areias
dc.creator	Isaacsson, Marta
dc.creator	Biasuz (Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre/RS, Brazil), Maria Cristina
dc.date	2017-09-21
dc.date.accessioned	2022-04-04T18:14:30Z
dc.date.available	2022-04-04T18:14:30Z
dc.identifier	https://seer.ufrgs.br/index.php/presenca/article/view/75270
dc.identifier.uri	http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/165968
dc.description	In this paper it is described the presence mediated by imaging devices. It is focused on the contemporary intermedial scene, emerging as the highlighted study Rouge Mékong, an immersive spectacle developed by Collectif Lebovitz, a Canadian interdisciplinary collective of artists. This experience will guide us as a systematization of the presence effect concept, developed by Josette Féral, and investigated here as a constituent of the dramaturgy of this spectacle. It is also investigated the presentation of discussions focused on the presence of the actor mediated by virtual image technology and the expectations of perception on the audience raised by Auslander (2008), Féral (2012) and Lehmann (2007) when in relation to the intermedial scene.	en-US
dc.description	Nous avons l’intention de discuter dans cet article les dispositifs d’image et la présence médiée par eux. Notre accent est mis sur la scène contemporaine intermédiale, émergeant comme étude de premier plan le spectacle immersif Rouge Mékong développé par le collectif Canadien des artistes interdisciplinaires, Collectif Lebovitz. Cette expérience va nous guider comme une œuvre de systématisation du concept effet de présence développé par Josette Feral, étudié ici en tant que constituant de la dramaturgie de ce spectacle. On y étudie encore la présentation de discussions tournées vers la présence de l’acteur associé à la médiation par la technologie de l’image virtuelle et les attentes de perception de l’audience soulevées par Auslander (2008), Féral (2012) et Lehmann (2007) en ce qui concerne la scène intermédiale.	fr-FR
dc.description	In this paper it is described the presence mediated by imaging devices. It is focused on the contemporary intermedial scene, emerging as the highlighted study Rouge Mékong, an immersive spectacle developed by Collectif Lebovitz, a Canadian interdisciplinary collective of artists. This experience will guide us as a systematization of the presence effect concept, developed by Josette Féral, and investigated here as a constituent of the dramaturgy of this spectacle. It is also investigated the presentation of discussions focused on the presence of the actor mediated by virtual image technology and the expectations of perception on the audience raised by Auslander (2008), Féral (2012) and Lehmann (2007) when in relation to the intermedial scene.	pt-BR
dc.language	eng
dc.publisher	Brazilian Journal on Presence Studies	en-US
dc.publisher	Révue Brésilienne d'Études de la Présence	fr-CA
dc.publisher	Révue Brésilienne d'Études de la Présence	fr-FR
dc.publisher	Revista Brasileira de Estudos da Presença	pt-BR
dc.relation	https://seer.ufrgs.br/index.php/presenca/article/view/75270/50325
dc.rights	Copyright (c) 2017 Revista Brasileira de Estudos da Presença	pt-BR
dc.source	Brazilian Journal on Presence Studies; Vol. 7 No. 3 (2017): Set./Dez. 2017; 601-625	en-US
dc.source	Révue Brésilienne d'Études de la Présence; Vol. 7 No. 3 (2017): Set./Dez. 2017; 601-625	fr-CA
dc.source	Révue Brésilienne d'Études de la Présence; Vol. 7 No 3 (2017): Set./Dez. 2017; 601-625	fr-FR
dc.source	Revista Brasileira de Estudos da Presença; v. 7 n. 3 (2017): Set./Dez. 2017; 601-625	pt-BR
dc.source	2237-2660
dc.subject	Presence Effect	en-US
dc.subject	Intermedial Scene	en-US
dc.subject	Perception	en-US
dc.subject	Immersion and Interdisciplinarity	en-US
dc.subject	Presence Effect	pt-BR
dc.subject	Intermedial Scene	pt-BR
dc.subject	Perception	pt-BR
dc.subject	Immersion and Interdisciplinarity	pt-BR
dc.subject	Effet de Présence	fr-FR
dc.subject	Scène Intermédiale	fr-FR
dc.subject	Perception	fr-FR
dc.subject	Immersion et Interdisciplinarité	fr-FR
dc.title	Diluted Presence in Rouge Mékong: a proposition for the intermedial scene	en-US
dc.title	Présence Diluée dans Rouge Mékong: une proposition pour la scène intermédiale	fr-FR
dc.title	Diluted Presence in Rouge Mékong: a proposition for the intermedial scene	pt-BR
dc.type	info:eu-repo/semantics/article
dc.type	info:eu-repo/semantics/publishedVersion