Bodies in Expansion: the art of encounter in the Dancer-Researcher- Performer (BPI) method

Rodrigues, Graziela; Turtelli, Larissa Sato; Teixeira, Paula Caruso; Campos, Flávio; da Costa, Elisa M.; Cálipo, Nara; Floriano, Mariana; Alleoni, Natália V.; Jorge (Universidade Estadual de Campinas – UNICAMP, Campinas/SP, Brazil), Mariana D.

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dc.creator	Rodrigues, Graziela
dc.creator	Turtelli, Larissa Sato
dc.creator	Teixeira, Paula Caruso
dc.creator	Campos, Flávio
dc.creator	da Costa, Elisa M.
dc.creator	Cálipo, Nara
dc.creator	Floriano, Mariana
dc.creator	Alleoni, Natália V.
dc.creator	Jorge (Universidade Estadual de Campinas – UNICAMP, Campinas/SP, Brazil), Mariana D.
dc.date	2016-08-20
dc.date.accessioned	2022-04-04T18:14:20Z
dc.date.available	2022-04-04T18:14:20Z
dc.identifier	https://seer.ufrgs.br/index.php/presenca/article/view/65895
dc.identifier.uri	http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/165909
dc.description	This paper replies to the text of Höfling published in this journal in v. 6, n. 2 (2016), clarifying aspects of the research in the Dancer-Researcher- Performer (BPI) method. Procedures and approaches of the method, concerning field research, artistic creation and presentation of performances are fully expressed. Throughout the text, practical examples of investigations carried out over 36 years of research in this method are given, as well as theories of psychology, which promote a deeper understanding of the contents that are articulated in the body and, as consequence, provide subsidies to guide the emotional processes inherent to artistic creation.	en-US
dc.description	L’article présente des aspects de la recherche de la méthode Danseur-Chercheur-Interprète (BPI), en réponse au texte Hofling publié dans ce journal en v. 6, n. 2 (2016). Des procédures et des angles d´approche de la méthode touchant aux recherches de terrain, à la création artistique et aux spectacles sont explicités. Sont donnés des exemples pratiques, de travaux réalisés au cours de 36 ans de recherches dans cette méthode, de même que des théories de la psychologie sont abordées, qui aident à la compréhension plus profonde des contenus qui s´articulent dans le corps et, conséquemment, apportent des recours pour une conduite des processus émotionnels inhérents à la création artistique.	fr-FR
dc.description	This paper replies to the text of Höfling published in this journal in v. 6, n. 2 (2016), clarifying aspects of the research in the Dancer-Researcher- Performer (BPI) method. Procedures and approaches of the method, concerning field research, artistic creation and presentation of performances are fully expressed. Throughout the text, practical examples of investigations carried out over 36 years of research in this method are given, as well as theories of psychology, which promote a deeper understanding of the contents that are articulated in the body and, as consequence, provide subsidies to guide the emotional processes inherent to artistic creation.	pt-BR
dc.language	eng
dc.publisher	Brazilian Journal on Presence Studies	en-US
dc.publisher	Révue Brésilienne d'Études de la Présence	fr-CA
dc.publisher	Révue Brésilienne d'Études de la Présence	fr-FR
dc.publisher	Revista Brasileira de Estudos da Presença	pt-BR
dc.relation	https://seer.ufrgs.br/index.php/presenca/article/view/65895/50447
dc.rights	Copyright (c) 2016 Revista Brasileira de Estudos da Presença	pt-BR
dc.source	Brazilian Journal on Presence Studies; Vol. 6 No. 3 (2016): set./dez. 2016; 551-577	en-US
dc.source	Révue Brésilienne d'Études de la Présence; Vol. 6 No. 3 (2016): set./dez. 2016; 551-577	fr-CA
dc.source	Révue Brésilienne d'Études de la Présence; Vol. 6 No 3 (2016): set./dez. 2016; 551-577	fr-FR
dc.source	Revista Brasileira de Estudos da Presença; v. 6 n. 3 (2016): set./dez. 2016; 551-577	pt-BR
dc.source	2237-2660
dc.subject	BPI	en-US
dc.subject	Body	en-US
dc.subject	Dance	en-US
dc.subject	Creation	en-US
dc.subject	Psychology	en-US
dc.subject	BPI	pt-BR
dc.subject	Body	pt-BR
dc.subject	Dance	pt-BR
dc.subject	Creation	pt-BR
dc.subject	Psychology	pt-BR
dc.subject	BPI	fr-FR
dc.subject	Corps	fr-FR
dc.subject	Danse	fr-FR
dc.subject	Création	fr-FR
dc.subject	Psychologie	fr-FR
dc.title	Bodies in Expansion: the art of encounter in the Dancer-Researcher- Performer (BPI) method	en-US
dc.title	Corps en Expansion: l’art de la rencontre dans la méthode Danseur- Chercheur-Interprète (DCI)	fr-FR
dc.title	Bodies in Expansion: the art of encounter in the Dancer-Researcher- Performer (BPI) method	pt-BR
dc.type	info:eu-repo/semantics/article
dc.type	info:eu-repo/semantics/publishedVersion