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Elementos (mostrados por Fecha de envío en Descendente orden): 161 a 180 de 694
Vista previaFecha de publicaciónTítuloAutor(es)
-Diversity behind bars: Gender stereotypes and identity in Orange is the New Black-
-Political visuality of Latin America in Narcos: an analysis through the television style-
-Crossing borders: identities, federal fiction series and road movie on argentine TV-
-Once upon a time in Mexico. Fiction and memory of the recent past in the series El Chapo-
-Quantitative analysis of the most listened to FM stations in Buenos Aires (2011-2017)-
-TV fiction in Argentina 2011 - 2016: state financing and the crisis of private production-
-Post-classicism and intermediality in Galavant (2015-2016)-
-Islamophobic narratives and animation series for adults: a tyranny of the visual-
-Contemporary Spanish TV Miniseries: Their Evolution (1980-2012)-
-Comparative narrative analysis of the series Lost with audiovisual productions of fiction-
-Immersion, social media and transmedia storytelling: the inclusive mode of reception-
-The portrait of the ruined city as the construction of a photojournalistic way of looking. The journey of Elsa Medina in Mexico City.-
-Argentine newspapers and police news (1976-1983). The cases of Diario Popular and La Prensa-
-[Reseña de libro] Democracy’s Detectives: The Economics of Investigative Journalism-
-[Reseña de Libro] La cultura de la conectividad-
-The construction of the teenager profile on Net-flix Tv Shows 13 Reasons Why and Atypical-
-Metaphorical representation of European migration crisis in Spanish and Russian press in 2017-
-From La Ville qui tue les femmes to The city of the dead: the web documentary as a tool for investigating the catastrophe in Ciudad Juarez-
-Mexican cinema and migration: the lost steps in The gol - den dream from Quemada-Díez-
-Transformations of Guatemalan television (1986-2017): From analog to multiplatform television-
Elementos (mostrados por Fecha de envío en Descendente orden): 161 a 180 de 694