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Por favor, use este identificador para citar o enlazar este ítem: https://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/166153
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dc.creatorLow, Stephen-
dc.date2020-06-26-
dc.date.accessioned2022-04-04T18:14:55Z-
dc.date.available2022-04-04T18:14:55Z-
dc.identifierhttps://seer.ufrgs.br/index.php/presenca/article/view/96976-
dc.identifier.urihttp://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/166153-
dc.descriptionThis essay argues that the performed corporeality of performance artist Nina Arsenault demonstrates how gender can be constituted by two mutually exclusive theories of gender simultaneously. Specifically, Arsenault im/possibly embodies gender as performative and as an essential psychic sense of self. Her expression of a feminine identity onstage is incompatible with theories of gender performativity because it incorporates a voluntary act: performance in the theatre. Arsenault also opposes theories that claim gender is an essential psychic sense of self by expressing her sense of self in her art practice/everyday life. Arsenault highlights that the theatrical materiality she embodies, which also further establishes her femininity, is im/possibly performatively constituted. Put simply, Arsenault embodies gender through performance and performativity.en-US
dc.languageeng-
dc.publisherBrazilian Journal on Presence Studiesen-US
dc.publisherRévue Brésilienne d'Études de la Présencefr-CA
dc.publisherRévue Brésilienne d'Études de la Présencefr-FR
dc.publisherRevista Brasileira de Estudos da Presençapt-BR
dc.relationhttps://seer.ufrgs.br/index.php/presenca/article/view/96976/57369-
dc.rightsCopyright (c) 2020 Revista Brasileira de Estudos da Presençapt-BR
dc.sourceBrazilian Journal on Presence Studies; Vol. 10 No. 3 (2020): Jul./Set. 2020; 01-29en-US
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 10 No. 3 (2020): Jul./Set. 2020; 01-29fr-CA
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 10 No 3 (2020): Jul./Set. 2020; 01-29fr-FR
dc.sourceRevista Brasileira de Estudos da Presença; v. 10 n. 3 (2020): Jul./Set. 2020; 01-29pt-BR
dc.source2237-2660-
dc.subjectTheatricalityen-US
dc.subjectPerformativityen-US
dc.subjectTranssexualen-US
dc.subjectTransgenderen-US
dc.subjectPerformanceen-US
dc.titleThe Im/possible Femininity of Nina Arsenault: theatrical gender in I w@s B*rbie and The Silicone Diariesen-US
dc.typeinfo:eu-repo/semantics/article-
dc.typeinfo:eu-repo/semantics/publishedVersion-
Aparece en las colecciones: Programa de Pós-Graduação em Educação - PPGEDU/UFRGS - Cosecha

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