Red de Bibliotecas Virtuales de Ciencias Sociales en
América Latina y el Caribe

logo CLACSO

  1. Repositorio institucional de CLACSO
  2. Colección de los Centros Asociados
  3. Brasil
  4. Programa de Pós-Graduação em Educação - PPGEDU/UFRGS - Cosecha
Por favor, use este identificador para citar o enlazar este ítem: https://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/166150
Registro completo de metadatos
Campo DC Valor Lengua/Idioma
dc.creatorVillas Bôas, Rafael Litvin-
dc.creatorCanova, Felipe-
dc.date2019-11-05-
dc.date.accessioned2022-04-04T18:14:54Z-
dc.date.available2022-04-04T18:14:54Z-
dc.identifierhttps://seer.ufrgs.br/index.php/presenca/article/view/96688-
dc.identifier.urihttp://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/166150-
dc.descriptionIn this article it is analyzed the presence of peasants in the Brazilian theater, in a historical perspective from the pre-coup of 1964 until the recent period, in which connections were established between social movements like MST and political theater collectives and grassroots video. It is object of analysis in this paper the MST relations with these collectives and the places that the theatrical language started to occupy on MST, as well as the influences of several theatrical forms and the relation of this language with the audiovisual. The research seeks to highlight that the relation mediated by the socialization of the artistic means of production can replace the terms of the debate between theme and form: if the land can belong to everyone, art is also an inherent element of the human condition, not only relegated to those who specialized in the craft.en-US
dc.languageeng-
dc.publisherBrazilian Journal on Presence Studiesen-US
dc.publisherRévue Brésilienne d'Études de la Présencefr-CA
dc.publisherRévue Brésilienne d'Études de la Présencefr-FR
dc.publisherRevista Brasileira de Estudos da Presençapt-BR
dc.relationhttps://seer.ufrgs.br/index.php/presenca/article/view/96688/54647-
dc.rightsCopyright (c) 2019 Revista Brasileira de Estudos da Presençapt-BR
dc.sourceBrazilian Journal on Presence Studies; Vol. 9 No. 4 (2019): Out./Dez. 2019; 01-29en-US
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 9 No. 4 (2019): Out./Dez. 2019; 01-29fr-CA
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 9 No 4 (2019): Out./Dez. 2019; 01-29fr-FR
dc.sourceRevista Brasileira de Estudos da Presença; v. 9 n. 4 (2019): Out./Dez. 2019; 01-29pt-BR
dc.source2237-2660-
dc.subjectPolitical Theateren-US
dc.subjectTheater of the Oppresseden-US
dc.subjectGrassroots Videoen-US
dc.subjectAgrarian Issueen-US
dc.subjectPeasantryen-US
dc.titleWhen Peasants Enter the Scene: Brazil’s landless rural workers movement (MST) theatrical work and the interface with audiovisual languageen-US
dc.typeinfo:eu-repo/semantics/article-
dc.typeinfo:eu-repo/semantics/publishedVersion-
Aparece en las colecciones: Programa de Pós-Graduação em Educação - PPGEDU/UFRGS - Cosecha

Ficheros en este ítem:
No hay ficheros asociados a este ítem.
Mostrar el registro sencillo del ítem


Los ítems de DSpace están protegidos por copyright, con todos los derechos reservados, a menos que se indique lo contrario.