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Por favor, use este identificador para citar o enlazar este ítem: https://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/166111
Título : ‘The very cunning of the scene’: notes towards a common dispositive for theatre and philosophy
Palabras clave : Eavesdropping;Dispositive;Metatheatre;Philosophy of Drama;Performance Philosophy
Editorial : Brazilian Journal on Presence Studies
Révue Brésilienne d'Études de la Présence
Révue Brésilienne d'Études de la Présence
Revista Brasileira de Estudos da Presença
Descripción : The article suggests that eavesdropping scenes contain the key to a fundamental dispositive of the theatre, that reinforces the intricate metatheatrical dimensions of any performance and amplifies its philosophical aspects. In order to make this claim clear, the article discusses the idea of a dispositive, a concept broadly taken from Foucault (1980; 1986) and applies its self-reflexive dimensions to a number of examples from different plays, in order to demonstrate as those work both as scores for performances as well as texts with a philosophical character.
URI : http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/166111
Otros identificadores : https://seer.ufrgs.br/index.php/presenca/article/view/92434
Aparece en las colecciones: Programa de Pós-Graduação em Educação - PPGEDU/UFRGS - Cosecha

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