Red de Bibliotecas Virtuales de Ciencias Sociales en
América Latina y el Caribe
Por favor, use este identificador para citar o enlazar este ítem:
https://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/166103Registro completo de metadatos
| Campo DC | Valor | Lengua/Idioma |
|---|---|---|
| dc.creator | Sastre, Martín Fons | - |
| dc.date | 2019-07-11 | - |
| dc.date.accessioned | 2022-04-04T18:14:46Z | - |
| dc.date.available | 2022-04-04T18:14:46Z | - |
| dc.identifier | https://seer.ufrgs.br/index.php/presenca/article/view/91884 | - |
| dc.identifier.uri | http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/166103 | - |
| dc.description | Since the birth of Odin Teatret, Eugenio Barba had in mind the quest into the techniques of the actor and his or her ongoing training to reach optimal levels of stage presence. As a result of such interest, the International School of Theatre Anthropology (ISTA) emerged in 1979, giving rise to Theatre Anthropology as a new discipline for the study the fundamentals of acting. This article presents the analysis of the methodological approaches developed by Theatre Anthropology throughout these forty years and its possible connections with other fields of scientific knowledge, highlighting its historiographic, ethnoscenological and neuroscientific applications, for the study of the actor’s pre-expressive principles and the dramaturgical strategies that configure his or her scenic bios. | en-US |
| dc.language | eng | - |
| dc.publisher | Brazilian Journal on Presence Studies | en-US |
| dc.publisher | Révue Brésilienne d'Études de la Présence | fr-CA |
| dc.publisher | Révue Brésilienne d'Études de la Présence | fr-FR |
| dc.publisher | Revista Brasileira de Estudos da Presença | pt-BR |
| dc.relation | https://seer.ufrgs.br/index.php/presenca/article/view/91884/53248 | - |
| dc.rights | Copyright (c) 2019 Revista Brasileira de Estudos da Presença | pt-BR |
| dc.source | Brazilian Journal on Presence Studies; Vol. 9 No. 3 (2019): Jul./Set. 2019; 01-27 | en-US |
| dc.source | Révue Brésilienne d'Études de la Présence; Vol. 9 No. 3 (2019): Jul./Set. 2019; 01-27 | fr-CA |
| dc.source | Révue Brésilienne d'Études de la Présence; Vol. 9 No 3 (2019): Jul./Set. 2019; 01-27 | fr-FR |
| dc.source | Revista Brasileira de Estudos da Presença; v. 9 n. 3 (2019): Jul./Set. 2019; 01-27 | pt-BR |
| dc.source | 2237-2660 | - |
| dc.subject | Actor. Theatre Anthropology. Ethnoscenology. History. Neurosciences | en-US |
| dc.title | Investigate the Actor’s Dramaturgy: theatre anthropology and its scientific applications | en-US |
| dc.type | info:eu-repo/semantics/article | - |
| dc.type | info:eu-repo/semantics/publishedVersion | - |
| Aparece en las colecciones: | Programa de Pós-Graduação em Educação - PPGEDU/UFRGS - Cosecha | |
Ficheros en este ítem:
No hay ficheros asociados a este ítem.
Los ítems de DSpace están protegidos por copyright, con todos los derechos reservados, a menos que se indique lo contrario.