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https://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/166086| Título : | Zoe: Threatened common life |
| Palabras clave : | zoé;utopian body;heterotopia;culture;subjectivity.;Censura sofrida pelo espetáculo Zoe |
| Editorial : | Brazilian Journal on Presence Studies Révue Brésilienne d'Études de la Présence Révue Brésilienne d'Études de la Présence Revista Brasileira de Estudos da Presença |
| Descripción : | In 2017, the dance performance Zoe, directed by the choreographer Francini Barros, was censored, because its first scene had a naked performer, on the sidewalk of the Apolo Theater in Recife. The fact provoked a reflection on art as a mechanism to establish a utopia against neoliberal conservatism. The present paper aims at understanding how the creative processes of the performance Zoe are placed as a micropolitical strategy of resistance to this conservatism. In order to do so, we dialogue with Agamben, Foucault, Deleuze, Guattari and Rolnik to discuss categories that served as a basis for our argumentative line, like ordinary life (zoé), utopian body, heterotopia, culture and subjectivity. |
| URI : | http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/166086 |
| Otros identificadores : | https://seer.ufrgs.br/index.php/presenca/article/view/89870 |
| Aparece en las colecciones: | Programa de Pós-Graduação em Educação - PPGEDU/UFRGS - Cosecha |
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