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Por favor, use este identificador para citar o enlazar este ítem: https://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/166047
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dc.creatorFriques(Universidade Federal do Estado do Rio de Janeiro – Rio de Janeiro/RJ, Brazil), Manoel Silvestre-
dc.date2018-10-21-
dc.date.accessioned2022-04-04T18:14:41Z-
dc.date.available2022-04-04T18:14:41Z-
dc.identifierhttps://seer.ufrgs.br/index.php/presenca/article/view/85206-
dc.identifier.urihttp://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/166047-
dc.descriptionThe article investigates Minimalism’s theatricality from the standpoint of Michael Fried’s and Rosalind Krauss’ critical readings. On the one hand, Krauss, from the very first moment in which she reflects on the works of Donald Judd and Dan Flavin, evidences their fundamental contradiction: the presence of the illusion, despite its rejection by the artists. On the other hand, Fried focuses on the alleged literalism of those projects, calling them theatricality. In the text, the two approaches will be confronted in order to explore the authors’ different views on the notion of theatricality.en-US
dc.languageeng-
dc.publisherBrazilian Journal on Presence Studiesen-US
dc.publisherRévue Brésilienne d'Études de la Présencefr-CA
dc.publisherRévue Brésilienne d'Études de la Présencefr-FR
dc.publisherRevista Brasileira de Estudos da Presençapt-BR
dc.relationhttps://seer.ufrgs.br/index.php/presenca/article/view/85206/50221-
dc.rightsCopyright (c) 2018 Revista Brasileira de Estudos da Presençapt-BR
dc.sourceBrazilian Journal on Presence Studies; Vol. 8 No. 4 (2018): Oct./Dec.2018; 807-837en-US
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 8 No. 4 (2018): Out./Dez.2018; 807-837fr-CA
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 8 No 4 (2018): Oct./Dec.2018; 807-837fr-FR
dc.sourceRevista Brasileira de Estudos da Presença; v. 8 n. 4 (2018): Out./Dez.2018; 807-837pt-BR
dc.source2237-2660-
dc.subjectMinimalism. Rosalind Krauss. Michael Fried. Art Criticism. Theatricality.en-US
dc.titleBetween Illusion and Theatricality: Rosalind Krauss, Michael Fried and Minimalismen-US
dc.typeinfo:eu-repo/semantics/article-
dc.typeinfo:eu-repo/semantics/publishedVersion-
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