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https://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/166023Registro completo de metadatos
| Campo DC | Valor | Lengua/Idioma |
|---|---|---|
| dc.creator | Godínez Rivas (Universidad Veracruzana – Xalapa-Enríquez, Mexico), Gloria Luz | - |
| dc.date | 2018-06-23 | - |
| dc.date.accessioned | 2022-04-04T18:14:35Z | - |
| dc.date.available | 2022-04-04T18:14:35Z | - |
| dc.identifier | https://seer.ufrgs.br/index.php/presenca/article/view/81974 | - |
| dc.identifier.uri | http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/166023 | - |
| dc.description | This article approaches the work of Pina Bausch and the creative processes of the Tanztheater Wuppertal Company. The focus is on the work developed during her residencies in several cities around the world, a cartographic repertoire that provides a trans-border and trans-modern historical perspective from the stage. Through the analysis of several scenes of her Água (Water) piece (2001), and the stereotypes of pleasure, identity, gender and happiness, Bausch’s relationship to Latin America (especially Brazil) is described here as an exercise in cultural cannibalism. | en-US |
| dc.language | eng | - |
| dc.publisher | Brazilian Journal on Presence Studies | en-US |
| dc.publisher | Révue Brésilienne d'Études de la Présence | fr-CA |
| dc.publisher | Révue Brésilienne d'Études de la Présence | fr-FR |
| dc.publisher | Revista Brasileira de Estudos da Presença | pt-BR |
| dc.relation | https://seer.ufrgs.br/index.php/presenca/article/view/81974/50228 | - |
| dc.rights | Copyright (c) 2018 Revista Brasileira de Estudos da Presença | pt-BR |
| dc.source | Brazilian Journal on Presence Studies; Vol. 8 No. 3 (2018): Jul./Sep.2018; 421-440 | en-US |
| dc.source | Révue Brésilienne d'Études de la Présence; Vol. 8 No. 3 (2018): Jul./Set.2018; 421-440 | fr-CA |
| dc.source | Révue Brésilienne d'Études de la Présence; Vol. 8 No 3 (2018): Jui./Sep. 2018; 421-440 | fr-FR |
| dc.source | Revista Brasileira de Estudos da Presença; v. 8 n. 3 (2018): Jul./Set.2018; 421-440 | pt-BR |
| dc.source | 2237-2660 | - |
| dc.subject | Dance-Theatre. Performance. Cannibalism. Body. Gender. | en-US |
| dc.title | Pina Bausch in Brazil: fruit, costumes, happiness and Água | en-US |
| dc.type | info:eu-repo/semantics/article | - |
| dc.type | info:eu-repo/semantics/publishedVersion | - |
| Aparece en las colecciones: | Programa de Pós-Graduação em Educação - PPGEDU/UFRGS - Cosecha | |
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