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Por favor, use este identificador para citar o enlazar este ítem: https://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/165996
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dc.creatorMuniz (Universidade Federal de Minas Gerais – UFMG, Belo Horizonte/MG, Brazil), Mariana Lima-
dc.creatorDubatti (Universidad de Buenos Aires – Buenos Aires, Argentina), Jorge-
dc.date2018-04-10-
dc.date.accessioned2022-04-04T18:14:33Z-
dc.date.available2022-04-04T18:14:33Z-
dc.identifierhttps://seer.ufrgs.br/index.php/presenca/article/view/78442-
dc.identifier.urihttp://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/165996-
dc.descriptionThis paper examines theater shows Play Me by Rodrigo Campos, premiered in Belo Horizonte, and Distancia by Matías Umpierrez and Las Ideas by Federico León, premiered in Buenos Aires. In the three shows, elements of digital media are used to momentarily replace the physical presence of actors. The micro-poetics of these productions are exceptions in the theatrical scene of two cities known for a lively theater scene, in which the coexistence of spectators and performers in the same space is appreciated. As exceptions, however, they shed light on an idiosyncrasy of the theater present in the two cities in relation to the neotechnological scene: the appreciation of coexistence and copresence despite the absence introduced by the use of novel technologies.en-US
dc.languageeng-
dc.publisherBrazilian Journal on Presence Studiesen-US
dc.publisherRévue Brésilienne d'Études de la Présencefr-CA
dc.publisherRévue Brésilienne d'Études de la Présencefr-FR
dc.publisherRevista Brasileira de Estudos da Presençapt-BR
dc.relationhttps://seer.ufrgs.br/index.php/presenca/article/view/78442/50271-
dc.rightsCopyright (c) 2018 Revista Brasileira de Estudos da Presençapt-BR
dc.sourceBrazilian Journal on Presence Studies; Vol. 8 No. 2 (2018): April/Jun. 2018; 366-389en-US
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 8 No. 2 (2018): Abril/Jun. 2018; 366-389fr-CA
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 8 No 2 (2018): Avril/Juin 2018; 366-389fr-FR
dc.sourceRevista Brasileira de Estudos da Presença; v. 8 n. 2 (2018): Abril/Jun. 2018; 366-389pt-BR
dc.source2237-2660-
dc.subjectTheater Cartography. Neotechnological Scene. Coexistence. Real/Virtual. Absence/Presence.en-US
dc.titleA Scene of Exception: neotechnological theater in Belo Horizonte (Brazil) and Buenos Aires (Argentina)en-US
dc.typeinfo:eu-repo/semantics/article-
dc.typeinfo:eu-repo/semantics/publishedVersion-
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