Red de Bibliotecas Virtuales de Ciencias Sociales en
América Latina y el Caribe
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https://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/165968Registro completo de metadatos
| Campo DC | Valor | Lengua/Idioma |
|---|---|---|
| dc.creator | Oliveira (Universidade Federal do Maranhão – UFMA, São Luís/MA, Brazil), Fernanda Areias | - |
| dc.creator | Isaacsson, Marta | - |
| dc.creator | Biasuz (Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre/RS, Brazil), Maria Cristina | - |
| dc.date | 2017-09-21 | - |
| dc.date.accessioned | 2022-04-04T18:14:30Z | - |
| dc.date.available | 2022-04-04T18:14:30Z | - |
| dc.identifier | https://seer.ufrgs.br/index.php/presenca/article/view/75270 | - |
| dc.identifier.uri | http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/165968 | - |
| dc.description | In this paper it is described the presence mediated by imaging devices. It is focused on the contemporary intermedial scene, emerging as the highlighted study Rouge Mékong, an immersive spectacle developed by Collectif Lebovitz, a Canadian interdisciplinary collective of artists. This experience will guide us as a systematization of the presence effect concept, developed by Josette Féral, and investigated here as a constituent of the dramaturgy of this spectacle. It is also investigated the presentation of discussions focused on the presence of the actor mediated by virtual image technology and the expectations of perception on the audience raised by Auslander (2008), Féral (2012) and Lehmann (2007) when in relation to the intermedial scene. | en-US |
| dc.description | Nous avons l’intention de discuter dans cet article les dispositifs d’image et la présence médiée par eux. Notre accent est mis sur la scène contemporaine intermédiale, émergeant comme étude de premier plan le spectacle immersif Rouge Mékong développé par le collectif Canadien des artistes interdisciplinaires, Collectif Lebovitz. Cette expérience va nous guider comme une œuvre de systématisation du concept effet de présence développé par Josette Feral, étudié ici en tant que constituant de la dramaturgie de ce spectacle. On y étudie encore la présentation de discussions tournées vers la présence de l’acteur associé à la médiation par la technologie de l’image virtuelle et les attentes de perception de l’audience soulevées par Auslander (2008), Féral (2012) et Lehmann (2007) en ce qui concerne la scène intermédiale. | fr-FR |
| dc.description | In this paper it is described the presence mediated by imaging devices. It is focused on the contemporary intermedial scene, emerging as the highlighted study Rouge Mékong, an immersive spectacle developed by Collectif Lebovitz, a Canadian interdisciplinary collective of artists. This experience will guide us as a systematization of the presence effect concept, developed by Josette Féral, and investigated here as a constituent of the dramaturgy of this spectacle. It is also investigated the presentation of discussions focused on the presence of the actor mediated by virtual image technology and the expectations of perception on the audience raised by Auslander (2008), Féral (2012) and Lehmann (2007) when in relation to the intermedial scene. | pt-BR |
| dc.language | eng | - |
| dc.publisher | Brazilian Journal on Presence Studies | en-US |
| dc.publisher | Révue Brésilienne d'Études de la Présence | fr-CA |
| dc.publisher | Révue Brésilienne d'Études de la Présence | fr-FR |
| dc.publisher | Revista Brasileira de Estudos da Presença | pt-BR |
| dc.relation | https://seer.ufrgs.br/index.php/presenca/article/view/75270/50325 | - |
| dc.rights | Copyright (c) 2017 Revista Brasileira de Estudos da Presença | pt-BR |
| dc.source | Brazilian Journal on Presence Studies; Vol. 7 No. 3 (2017): Set./Dez. 2017; 601-625 | en-US |
| dc.source | Révue Brésilienne d'Études de la Présence; Vol. 7 No. 3 (2017): Set./Dez. 2017; 601-625 | fr-CA |
| dc.source | Révue Brésilienne d'Études de la Présence; Vol. 7 No 3 (2017): Set./Dez. 2017; 601-625 | fr-FR |
| dc.source | Revista Brasileira de Estudos da Presença; v. 7 n. 3 (2017): Set./Dez. 2017; 601-625 | pt-BR |
| dc.source | 2237-2660 | - |
| dc.subject | Presence Effect | en-US |
| dc.subject | Intermedial Scene | en-US |
| dc.subject | Perception | en-US |
| dc.subject | Immersion and Interdisciplinarity | en-US |
| dc.subject | Presence Effect | pt-BR |
| dc.subject | Intermedial Scene | pt-BR |
| dc.subject | Perception | pt-BR |
| dc.subject | Immersion and Interdisciplinarity | pt-BR |
| dc.subject | Effet de Présence | fr-FR |
| dc.subject | Scène Intermédiale | fr-FR |
| dc.subject | Perception | fr-FR |
| dc.subject | Immersion et Interdisciplinarité | fr-FR |
| dc.title | Diluted Presence in Rouge Mékong: a proposition for the intermedial scene | en-US |
| dc.title | Présence Diluée dans Rouge Mékong: une proposition pour la scène intermédiale | fr-FR |
| dc.title | Diluted Presence in Rouge Mékong: a proposition for the intermedial scene | pt-BR |
| dc.type | info:eu-repo/semantics/article | - |
| dc.type | info:eu-repo/semantics/publishedVersion | - |
| Aparece en las colecciones: | Programa de Pós-Graduação em Educação - PPGEDU/UFRGS - Cosecha | |
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