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Por favor, use este identificador para citar o enlazar este ítem: https://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/165949
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dc.creatorSouza (Universidade do Estado de Santa Catarina, Brazil), Julianna Rosa de-
dc.date2017-05-07-
dc.date.accessioned2022-04-04T18:14:28Z-
dc.date.available2022-04-04T18:14:28Z-
dc.identifierhttps://seer.ufrgs.br/index.php/presenca/article/view/72084-
dc.identifier.urihttp://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/165949-
dc.descriptionThe present study analyzes historical and social issues present in the process of constructing race as a classifying term as well as the consequences of a racist ideology in Brazilian dramaturgy. The racial classification produced, especially, by naturalistic scientists supported a series of paradigmatic representations present in stage during the 19th and 20th century. The text proposes a critical reflection on these stereotypes and questions the hegemonic theoretical perspective within Brazilian theatre studies and practice to provoke a revision of the ways how black characters are put in paper and stage in Brazilian theatre.en-US
dc.descriptionThe present study analyzes historical and social issues present in the process of constructing race as a classifying term as well as the consequences of a racist ideology in Brazilian dramaturgy. The racial classification produced, especially, by naturalistic scientists supported a series of paradigmatic representations present in stage during the 19th and 20th century. The text proposes a critical reflection on these stereotypes and questions the hegemonic theoretical perspective within Brazilian theatre studies and practice to provoke a revision of the ways how black characters are put in paper and stage in Brazilian theatre.pt-BR
dc.languageeng-
dc.publisherBrazilian Journal on Presence Studiesen-US
dc.publisherRévue Brésilienne d'Études de la Présencefr-CA
dc.publisherRévue Brésilienne d'Études de la Présencefr-FR
dc.publisherRevista Brasileira de Estudos da Presençapt-BR
dc.relationhttps://seer.ufrgs.br/index.php/presenca/article/view/72084/50338-
dc.rightsCopyright (c) 2017 Revista Brasileira de Estudos da Presençapt-BR
dc.sourceBrazilian Journal on Presence Studies; Vol. 7 No. 2 (2017): Maio/Ago. 2017; 274-295en-US
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 7 No. 2 (2017): Maio/Ago. 2017; 274-295fr-CA
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 7 No 2 (2017): Maio/Ago. 2017; 274-295fr-FR
dc.sourceRevista Brasileira de Estudos da Presença; v. 7 n. 2 (2017): Maio/Ago. 2017; 274-295pt-BR
dc.source2237-2660-
dc.subjectRaceen-US
dc.subjectCharacteren-US
dc.subjectBlacken-US
dc.subjectTheatreen-US
dc.subjectPlaywritingen-US
dc.subjectRacept-BR
dc.subjectCharacterpt-BR
dc.subjectBlackpt-BR
dc.subjectTheatrept-BR
dc.subjectPlaywritingpt-BR
dc.titleBlack Characters: a critical reflection about racial patterns in dramaturgical Brazilian productionen-US
dc.titleBlack Characters: a critical reflection about racial patterns in dramaturgical Brazilian productionpt-BR
dc.typeinfo:eu-repo/semantics/article-
dc.typeinfo:eu-repo/semantics/publishedVersion-
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