1. Repositorio institucional de CLACSO
2. Colección de los Centros Asociados
3. Brasil
4. Programa de Pós-Graduação em Educação - PPGEDU/UFRGS - Cosecha

Título :	Presence in art as something that is not there by itself: the affect potencies in the act of composition between bodies La Présence ne se fait pas tout Seule: la puissance de l’affect dans l’acte de com-position entre les corps Presence in art as something that is not there by itself: the affect potencies in the act of composition between bodies
Palabras clave :	Invitation-presence;Body;Affect;Relation;Co(m)position;Invitation-presence;Body;Affect;Relation;Co(m)position;Présence-invitation;Corps;Affect;Relation;Com-position
Editorial :	Brazilian Journal on Presence Studies Révue Brésilienne d'Études de la Présence Révue Brésilienne d'Études de la Présence Revista Brasileira de Estudos da Presença
Descripción :	This text presents an approach to the artist presence as a relation by offering a perspective about the body, and also the shift of presence as a non prior assignment from the artist, which allows us to bring attention to what emerges in the encounter between bodies in the here and now. The audience is considered an active partner and the artist is understood as the one that ceases starring to compose (add-with) the viewer, becoming a porous invitation-presence by an accurate perception practice of the environment settings. This combination of art, philosophy, anthropology and cognitive sciences references allows that the differences between an imposing presence and shared presence become apparent. Cet article presente une approche a la presence de l’artiste comme une relation en offrant un regard sur le corps et le deplacement de la notion de presence en tant que attribution anterieure de l’artiste, ce qui permet l’attention sur ce qui emerge dans la rencontre entre les corps dans l’ici et le maintenant. Cette etude prend en consideration le public comme un interlocuteur actif, et l’artiste ne serait plus le protagoniste de la com-position (position avec) le spectateur, L’artiste est une presence-invitation, poreux, au moyen d’une ecoute attentive de ce qui apparait dans l’experience. Une combinaison de references de l’art, de la philosophie, de l’anthropologie et de les sciences cognitives met en evidence les differences entre la presence imposante et la presence partagee. This text presents an approach to the artist presence as a relation by offering a perspective about the body, and also the shift of presence as a non prior assignment from the artist, which allows us to bring attention to what emerges in the encounter between bodies in the here and now. The audience is considered an active partner and the artist is understood as the one that ceases starring to compose (add-with) the viewer, becoming a porous invitation-presence by an accurate perception practice of the environment settings. This combination of art, philosophy, anthropology and cognitive sciences references allows that the differences between an imposing presence and shared presence become apparent.
URI :	http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/165928
Otros identificadores :	https://seer.ufrgs.br/index.php/presenca/article/view/69409
Aparece en las colecciones:	Programa de Pós-Graduação em Educação - PPGEDU/UFRGS - Cosecha

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