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Título :	Vocal Resonances and Sound Memory in Helen Brown Résonances Vocales et Mémoire Sonore chez Helen Brown Vocal Resonances and Sound Memory in Helen Brown
Palabras clave :	Voices;Memory;Sound;Helen Brown;Performance Analysis;Voices;Memory;Sound;Helen Brown;Performance Analysis;Voix;Mémoire;Sonorité;Helen Brown;Analyse Scénique
Editorial :	Brazilian Journal on Presence Studies Révue Brésilienne d'Études de la Présence Révue Brésilienne d'Études de la Présence Revista Brasileira de Estudos da Presença
Descripción :	The paper focuses on aspects related to the intensification of the uses of the voice and the musical sonority proposed by Trinidad Piriz and Daniel Marabolí on Helen Brown (2013). Rendering an account of a theoretical framework that questions the referential dimension in which theatre is often analyzed and proposing a phenomenological approach that accounts for the performative materiality encouraged to strengthen the resonance of the voice and the audibility of the sound, the essay analyzes two scenes or tracks in which the body undertakes the memory of the viewers involved in the scenic performance. Le document met l’accent sur les aspects liés à l’intensification des usages de la voix et la sonorité musicale proposées par Trinidad Piriz et Daniel Marabolí sur Helen Brown (2013). Rendant compte d’un cadre théorique qui s´interroge sur la dimension référentielle au sein de laquelle le théâtre est souvent analysée et eu proposant une approche phénoménologique qui tient compte de la matérialité performative qui encouragé à renforcer la résonance de la voix et l’audibilité du son, l’essai analyse deux scènes ou pistes dans lequel la mémoire fait corps engage d´une maniére particuliére aux espectateurs impliqués dans la performance scénique.  The paper focuses on aspects related to the intensification of the uses of the voice and the musical sonority proposed by Trinidad Piriz and Daniel Marabolí on Helen Brown (2013). Rendering an account of a theoretical framework that questions the referential dimension in which theatre is often analyzed and proposing a phenomenological approach that accounts for the performative materiality encouraged to strengthen the resonance of the voice and the audibility of the sound, the essay analyzes two scenes or tracks in which the body undertakes the memory of the viewers involved in the scenic performance.
URI :	http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/165918
Otros identificadores :	https://seer.ufrgs.br/index.php/presenca/article/view/66808
Aparece en las colecciones:	Programa de Pós-Graduação em Educação - PPGEDU/UFRGS - Cosecha

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