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Por favor, use este identificador para citar o enlazar este ítem: https://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/165911
Título : Acts as Performance in the Occupation of the Urban Space: against a model of city for mega-events
Actes comme Performance dans l’Occupation des Rues: contre un modèle de ville pour les grands évenements
Acts as Performance in the Occupation of the Urban Space: against a model of city for mega-events
Palabras clave : Street Protests;Performance;Cities;FIFA World Cup;Olympic Games;Street Protests;Performance;Cities;FIFA World Cup;Olympic Games;Manifestations de Rue;Performance;Villes;Coupe du Monde;Jeux Olympiques
Editorial : Brazilian Journal on Presence Studies
Révue Brésilienne d'Études de la Présence
Révue Brésilienne d'Études de la Présence
Revista Brasileira de Estudos da Presença
Descripción : This research focuses on the acts that took the streets of Rio de Janeiro between June 2013 and July 2014. They are observed from both an aesthetic and political perspective, not simply as a criticism toward the model of city developed for mega-events, but rather as a proposal for different ways of inhabiting the urban landscape. By perceiving the plurality of the activated forms of expression and the centrality of direct action in the practice of the protesters, I address these acts with reference to the notion of performance, considering especially the bodies which have occupied the urban space with their choreopolitics, theatres of invasion, polyphonic choirs, multiple writings, and the creation of Temporary Autonomous Zones always ready to re (in)ssurect. 
Cette recherches, effectue de juin 2013 à juillet 2014, témoignant des actes qui ont eu lieux dans les rues de Rio de Janeiro, d’un point de vue à la fois esthétique et politique, perçus non seulement comme critiques àun modèle de ville destinée à de grands évenements, mais comme propositions pour un mode autre d’habiter la ville. Considérant la pluralité des formes d’expression mises en place et la centralité des actions directes exercées alors par les manifestants, nous relions de tels actes à la notion de performance, avec une attention particuliére aux corps qui ont occupé les rues avec leurs chorépolitiques, théâtres d’ invasion, choeurs polyphoniques, les multiples écritures, et la création de Zones Autonomes Temporaires, toujours imminentes. 
This research focuses on the acts that took the streets of Rio de Janeiro between June 2013 and July 2014. They are observed from both an aesthetic and political perspective, not simply as a criticism toward the model of city developed for mega-events, but rather as a proposal for different ways of inhabiting the urban landscape. By perceiving the plurality of the activated forms of expression and the centrality of direct action in the practice of the protesters, I address these acts with reference to the notion of performance, considering especially the bodies which have occupied the urban space with their choreopolitics, theatres of invasion, polyphonic choirs, multiple writings, and the creation of Temporary Autonomous Zones always ready to re (in)ssurect. 
URI : http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/165911
Otros identificadores : https://seer.ufrgs.br/index.php/presenca/article/view/66068
Aparece en las colecciones: Programa de Pós-Graduação em Educação - PPGEDU/UFRGS - Cosecha

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