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Por favor, use este identificador para citar o enlazar este ítem: https://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/165909
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Campo DC Valor Lengua/Idioma
dc.creatorRodrigues, Graziela-
dc.creatorTurtelli, Larissa Sato-
dc.creatorTeixeira, Paula Caruso-
dc.creatorCampos, Flávio-
dc.creatorda Costa, Elisa M.-
dc.creatorCálipo, Nara-
dc.creatorFloriano, Mariana-
dc.creatorAlleoni, Natália V.-
dc.creatorJorge (Universidade Estadual de Campinas – UNICAMP, Campinas/SP, Brazil), Mariana D.-
dc.date2016-08-20-
dc.date.accessioned2022-04-04T18:14:20Z-
dc.date.available2022-04-04T18:14:20Z-
dc.identifierhttps://seer.ufrgs.br/index.php/presenca/article/view/65895-
dc.identifier.urihttp://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/165909-
dc.descriptionThis paper replies to the text of Höfling published in this journal in v. 6, n. 2 (2016), clarifying aspects of the research in the Dancer-Researcher- Performer (BPI) method. Procedures and approaches of the method, concerning field research, artistic creation and presentation of performances are fully expressed. Throughout the text, practical examples of investigations carried out over 36 years of research in this method are given, as well as theories of psychology, which promote a deeper understanding of the contents that are articulated in the body and, as consequence, provide subsidies to guide the emotional processes inherent to artistic creation.  en-US
dc.descriptionL’article présente des aspects de la recherche de la méthode Danseur-Chercheur-Interprète (BPI), en réponse au texte Hofling publié dans ce journal en v. 6, n. 2 (2016). Des procédures et des angles d´approche de la méthode touchant aux recherches de terrain, à la création artistique et aux spectacles sont explicités. Sont donnés des exemples pratiques, de travaux réalisés au cours de 36 ans de recherches dans cette méthode, de même que des théories de la psychologie sont abordées, qui aident à la compréhension plus profonde des contenus qui s´articulent dans le corps et, conséquemment, apportent des recours pour une conduite des processus émotionnels inhérents à la création artistique. fr-FR
dc.descriptionThis paper replies to the text of Höfling published in this journal in v. 6, n. 2 (2016), clarifying aspects of the research in the Dancer-Researcher- Performer (BPI) method. Procedures and approaches of the method, concerning field research, artistic creation and presentation of performances are fully expressed. Throughout the text, practical examples of investigations carried out over 36 years of research in this method are given, as well as theories of psychology, which promote a deeper understanding of the contents that are articulated in the body and, as consequence, provide subsidies to guide the emotional processes inherent to artistic creation. pt-BR
dc.languageeng-
dc.publisherBrazilian Journal on Presence Studiesen-US
dc.publisherRévue Brésilienne d'Études de la Présencefr-CA
dc.publisherRévue Brésilienne d'Études de la Présencefr-FR
dc.publisherRevista Brasileira de Estudos da Presençapt-BR
dc.relationhttps://seer.ufrgs.br/index.php/presenca/article/view/65895/50447-
dc.rightsCopyright (c) 2016 Revista Brasileira de Estudos da Presençapt-BR
dc.sourceBrazilian Journal on Presence Studies; Vol. 6 No. 3 (2016): set./dez. 2016; 551-577en-US
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 6 No. 3 (2016): set./dez. 2016; 551-577fr-CA
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 6 No 3 (2016): set./dez. 2016; 551-577fr-FR
dc.sourceRevista Brasileira de Estudos da Presença; v. 6 n. 3 (2016): set./dez. 2016; 551-577pt-BR
dc.source2237-2660-
dc.subjectBPIen-US
dc.subjectBodyen-US
dc.subjectDanceen-US
dc.subjectCreationen-US
dc.subjectPsychologyen-US
dc.subjectBPIpt-BR
dc.subjectBodypt-BR
dc.subjectDancept-BR
dc.subjectCreationpt-BR
dc.subjectPsychologypt-BR
dc.subjectBPIfr-FR
dc.subjectCorpsfr-FR
dc.subjectDansefr-FR
dc.subjectCréationfr-FR
dc.subjectPsychologiefr-FR
dc.titleBodies in Expansion: the art of encounter in the Dancer-Researcher- Performer (BPI) methoden-US
dc.titleCorps en Expansion: l’art de la rencontre dans la méthode Danseur- Chercheur-Interprète (DCI)fr-FR
dc.titleBodies in Expansion: the art of encounter in the Dancer-Researcher- Performer (BPI) methodpt-BR
dc.typeinfo:eu-repo/semantics/article-
dc.typeinfo:eu-repo/semantics/publishedVersion-
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