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dc.creatorPavis (University of Kent, Canterbury – United Kingdom), Patrice-
dc.date2015-12-02-
dc.date.accessioned2022-04-04T18:14:14Z-
dc.date.available2022-04-04T18:14:14Z-
dc.identifierhttps://seer.ufrgs.br/index.php/presenca/article/view/54652-
dc.identifier.urihttp://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/165846-
dc.descriptionThis paper summarizes my thoughts during the presentation of the conference Acting reconsidered. The study of the actor in contemporary performances should be reevaluated in the light of the experiments of the last fifty years, particularly performance art, post-dramatic theatre, participative theatre and many political theatre. The new tasks and conceptions of the actor are introduced. Stanislavki’s notion of psychological realism is questioned. The suggestion of de-dramatizing, delocalizing, de-training the actor might help the actor to orient oneself in the world. en-US
dc.descriptionThis paper summarizes my thoughts during the presentation of the conference Acting reconsidered. The study of the actor in contemporary performances should be reevaluated in the light of the experiments of the last fifty years, particularly performance art, post-dramatic theatre, participative theatre and many political theatre. The new tasks and conceptions of the actor are introduced. Stanislavki’s notion of psychological realism is questioned. The suggestion of de-dramatizing, delocalizing, de-training the actor might help the actor to orient oneself in the world.fr-CA
dc.descriptionThis paper summarizes my thoughts during the presentation of the conference Acting reconsidered. The study of the actor in contemporary performances should be reevaluated in the light of the experiments of the last fifty years, particularly performance art, post-dramatic theatre, participative theatre and many political theatre. The new tasks and conceptions of the actor are introduced. Stanislavki’s notion of psychological realism is questioned. The suggestion of de-dramatizing, delocalizing, de-training the actor might help the actor to orient oneself in the world. pt-BR
dc.languageeng-
dc.publisherBrazilian Journal on Presence Studiesen-US
dc.publisherRévue Brésilienne d'Études de la Présencefr-CA
dc.publisherRévue Brésilienne d'Études de la Présencefr-FR
dc.publisherRevista Brasileira de Estudos da Presençapt-BR
dc.relationhttps://seer.ufrgs.br/index.php/presenca/article/view/54652/50483-
dc.sourceBrazilian Journal on Presence Studies; Vol. 6 No. 1 (2016): jan./abr. 2016; 173-182en-US
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 6 No. 1 (2016): jan./abr. 2016; 173-182fr-CA
dc.sourceRévue Brésilienne d'Études de la Présence; Vol. 6 No 1 (2016): jan./ abr. 2016; 173-182fr-FR
dc.sourceRevista Brasileira de Estudos da Presença; v. 6 n. 1 (2016): jan./abr. 2016; 173-182pt-BR
dc.source2237-2660-
dc.subjectActingen-US
dc.subjectStagingen-US
dc.subjectActor’s Trainingen-US
dc.subjectPost-dramaticen-US
dc.subjectTheatreen-US
dc.subjectActingpt-BR
dc.subjectStagingpt-BR
dc.subjectActor’s Trainingpt-BR
dc.subjectPost-dramaticpt-BR
dc.subjectTheatrept-BR
dc.subjectActingfr-CA
dc.subjectStagingfr-CA
dc.subjectActor’s Trainingfr-CA
dc.subjectPost-dramaticfr-CA
dc.subjectTheatrefr-CA
dc.titleReconsidering Acting: a few improvised and provisory thoughts on acting todayen-US
dc.titleReconsidering Acting: a few improvised and provisory thoughts on acting todayfr-CA
dc.titleReconsidering Acting: a few improvised and provisory thoughts on acting todaypt-BR
dc.typeinfo:eu-repo/semantics/article-
dc.typeinfo:eu-repo/semantics/publishedVersion-
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