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| Campo DC | Valor | Lengua/Idioma |
|---|---|---|
| dc.creator | García, Miguel A. | - |
| dc.date | 2019-05-30 | - |
| dc.date.accessioned | 2022-03-25T18:56:46Z | - |
| dc.date.available | 2022-03-25T18:56:46Z | - |
| dc.identifier | https://revistas.ucm.es/index.php/RGID/article/view/64553 | - |
| dc.identifier | 10.5209/rgid.64553 | - |
| dc.identifier.uri | http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/128073 | - |
| dc.description | The article proposes a journey along the different ways in which ethnomusicology hasreflected on the sound recording and archive, from its first formulation, known as comparativemusicology, to the present day. The journey reveals that the discipline has selectively adoptedquestions, definitions and concepts from other areas of knowledge, and that its reflections on thesound recording and archive have been sensitive to the theoretical, ethical and methodologicalchanges, which have taken place inside the discipline. It also confirms that in the current reflectionscenario on the subject very different perspectives coexist, some of them adopted over a century ago,which define the archive as an institution, reservoir, memory and/or knowledge. | en-US |
| dc.description | El artículo propone un recorrido por las diferentes maneras en que la etnomusicologíareflexiona sobre el registro y el archivo sonoros, desde su primera formulación, conocida comomusicología comparada, hasta la actualidad. El recorrido pone en evidencia que la disciplina adoptóselectivamente interrogantes, definiciones y conceptos de otras áreas del conocimiento, y que susreflexiones sobre el registro y el archivo sonoros fueron sensibles a los cambios teóricos, éticos ymetodológicos que se produjeron en su interior. Se constata, asimismo, que en el escenario actual dereflexión sobre el tema conviven perspectivas muy diversas, algunas de ellas acuñadas hace más deun siglo, que definen al archivo como institución, reservorio, memoria y/o saber.ía | es-ES |
| dc.format | application/pdf | - |
| dc.language | spa | - |
| dc.publisher | Ediciones Complutense | es-ES |
| dc.relation | https://revistas.ucm.es/index.php/RGID/article/view/64553/4564456551446 | - |
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| dc.rights | Derechos de autor 2019 Revista General de Información y Documentación | es-ES |
| dc.source | Revista General de Información y Documentación; Vol 29 No 1 (2019); 107-125 | en-US |
| dc.source | Revista General de Información y Documentación; Vol. 29 Núm. 1 (2019); 107-125 | es-ES |
| dc.source | 1988-2858 | - |
| dc.source | 1132-1873 | - |
| dc.subject | Sound recording; Sound archive; Ethnomusicology; Archives and postmodern theory; Archival sciences; Epistemology of archive | en-US |
| dc.subject | Registro sonoro; Archivo sonoro; Etnomusicología; Archivos y teoría postmoderna; Archivística; Epistemología del archivo | es-ES |
| dc.title | The sound recording and archive from the standpoints of ethnomusicology | en-US |
| dc.title | El registro y el archivo sonoros bajo las miradas de la etnomusicología | es-ES |
| dc.type | info:eu-repo/semantics/article | - |
| dc.type | info:eu-repo/semantics/publishedVersion | - |
| dc.type | Artículo revisado por pares | es-ES |
| Aparece en las colecciones: | Servicio Documentación Multimedia. Sección Departamental de Biblioteconomía y Documentación. Universidad Complutense de Madrid - SDM - Cosecha | |
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