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Por favor, use este identificador para citar o enlazar este ítem: https://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/103573
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dc.creatorLoredana Niculet-
dc.date2011-
dc.date.accessioned2022-03-22T20:16:41Z-
dc.date.available2022-03-22T20:16:41Z-
dc.identifierhttp://www.redalyc.org/articulo.oa?id=85422476008-
dc.identifier.urihttp://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/103573-
dc.descriptionThe conceptual basis which would be later developed by the artistic avant-gardes was settled by German Romantic and Idealist thought, whose utopian dimension could be easily recognized in The oldest systemprogram of German Idealism (1796), a text which provided Idealist thought with the claim of a new rationality or a mythology of reason in Hegel, an intellectual intuition in Schelling and the Humanity in Schiller. Although this emancipation project developed later by the avant-garde has lost its credibility for us, we still have to investigate to what extent today's art can maintain a social function. This article point out certain idealist concepts in light of a philosophy of art modeled along lines sketched out in Kant's Critique of Judgement and that have contributed to the history of the "advanced" art.-
dc.formatapplication/pdf-
dc.languageen-
dc.publisherUniversidad del Norte-
dc.relationhttp://www.redalyc.org/revista.oa?id=854-
dc.rightsEidos: Revista de Filosofía de la Universidad del Norte-
dc.sourceEidos: Revista de Filosofía de la Universidad del Norte (Colombia) Num.14-
dc.subjectFilosofía-
dc.subjectSensus communis-
dc.subjectaesthetic idea-
dc.subjectphilosophy of art-
dc.subjectemancipation project-
dc.subjectavant-gardes-
dc.titleSensus communis aestheticus and the project of emancipation: The Utopian frame of the avant-gardes-
dc.typeartículo científico-
Aparece en las colecciones: División de Humanidades y Ciencias Sociales - DHCS/UNINORTE - Cosecha

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