Santería und ihre Globalisierung in Kuba. Tradition und Innovation in einer afrokubanischen Religion von Claudia Rauhut (2012)

dc.creator	Hofbauer, Andreas
dc.date	2015-11-10
dc.date.accessioned	2022-03-29T15:31:40Z
dc.date.available	2022-03-29T15:31:40Z
dc.identifier	http://www.crolar.org/index.php/crolar/article/view/160
dc.identifier.uri	http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/148246
dc.format	application/pdf
dc.format	application/pdf
dc.format	text/html
dc.format	text/html
dc.language	por
dc.language	eng
dc.publisher	Critical Reviews on Latin American Research	de-DE
dc.publisher	Critical Reviews on Latin American Research - CROLAR	en-US
dc.relation	http://www.crolar.org/index.php/crolar/article/view/160/pdf
dc.relation	http://www.crolar.org/index.php/crolar/article/view/160/pdf_1
dc.relation	http://www.crolar.org/index.php/crolar/article/view/160/html
dc.relation	http://www.crolar.org/index.php/crolar/article/view/160/html_1
dc.source	Critical Reviews on Latin American Research; Bd. 4 Nr. 2 (2015): Sound and Dissonance: Music in Latin American Culture	de-DE
dc.source	Critical Reviews on Latin American Research - CROLAR; Vol. 4 No. 2 (2015): Sound and Dissonance: Music in Latin American Culture	en-US
dc.source	2195-3481
dc.title	Santería und ihre Globalisierung in Kuba. Tradition und Innovation in einer afrokubanischen Religion von Claudia Rauhut (2012)	pt-BR
dc.type	info:eu-repo/semantics/article
dc.type	info:eu-repo/semantics/publishedVersion
dc.type	Peer-reviewed Review	en-US