The Scenic Performance as Subversive Negativity: radical alterity and trava sudaca performance in the voice of Susy Shock

Martínez, Ariel; Mora, Ana Sabrina

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dc.creator	Martínez, Ariel
dc.creator	Mora, Ana Sabrina
dc.date	2020-06-26
dc.date.accessioned	2022-04-04T18:14:59Z
dc.date.available	2022-04-04T18:14:59Z
dc.identifier	https://seer.ufrgs.br/index.php/presenca/article/view/102024
dc.identifier.uri	http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/166198
dc.description	Considering the scenic performances of the artist Susy Shock, and in particular the stage presentation she makes of a so called monstrosity that maintains a series of elements that make up a scenic performance where the monstrosity can break into the field of intersection and conjugation, we offer some epistemological thoughts about the limits of identity representations versus stage presentations. Her poetic performances include songs of musical genres of Argentine folklore (vidalas, coplas, tangos), through the appropriation of a traditional cultural product in the voice of a transgender person. This produces the visibility of a radical alterity in the simultaneous presentation of elements that can only be recovered from the intersectionality that is released in the ground of presentation, where all the elements break into overlap at the same time and in the same place.	en-US
dc.language	eng
dc.publisher	Brazilian Journal on Presence Studies	en-US
dc.publisher	Révue Brésilienne d'Études de la Présence	fr-CA
dc.publisher	Révue Brésilienne d'Études de la Présence	fr-FR
dc.publisher	Revista Brasileira de Estudos da Presença	pt-BR
dc.relation	https://seer.ufrgs.br/index.php/presenca/article/view/102024/57366
dc.rights	Copyright (c) 2020 Revista Brasileira de Estudos da Presença	pt-BR
dc.source	Brazilian Journal on Presence Studies; Vol. 10 No. 3 (2020): Jul./Set. 2020; 01-27	en-US
dc.source	Révue Brésilienne d'Études de la Présence; Vol. 10 No. 3 (2020): Jul./Set. 2020; 01-27	fr-CA
dc.source	Révue Brésilienne d'Études de la Présence; Vol. 10 No 3 (2020): Jul./Set. 2020; 01-27	fr-FR
dc.source	Revista Brasileira de Estudos da Presença; v. 10 n. 3 (2020): Jul./Set. 2020; 01-27	pt-BR
dc.source	2237-2660
dc.subject	Transvestite Stage Performance	en-US
dc.subject	Intersectionality	en-US
dc.subject	Conjunction	en-US
dc.subject	Radical Alterity	en-US
dc.title	The Scenic Performance as Subversive Negativity: radical alterity and trava sudaca performance in the voice of Susy Shock	en-US
dc.type	info:eu-repo/semantics/article
dc.type	info:eu-repo/semantics/publishedVersion