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| dc.creator | Low, Stephen | |
| dc.date | 2020-06-26 | |
| dc.date.accessioned | 2022-04-04T18:14:55Z | |
| dc.date.available | 2022-04-04T18:14:55Z | |
| dc.identifier | https://seer.ufrgs.br/index.php/presenca/article/view/96976 | |
| dc.identifier.uri | http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/166153 | |
| dc.description | This essay argues that the performed corporeality of performance artist Nina Arsenault demonstrates how gender can be constituted by two mutually exclusive theories of gender simultaneously. Specifically, Arsenault im/possibly embodies gender as performative and as an essential psychic sense of self. Her expression of a feminine identity onstage is incompatible with theories of gender performativity because it incorporates a voluntary act: performance in the theatre. Arsenault also opposes theories that claim gender is an essential psychic sense of self by expressing her sense of self in her art practice/everyday life. Arsenault highlights that the theatrical materiality she embodies, which also further establishes her femininity, is im/possibly performatively constituted. Put simply, Arsenault embodies gender through performance and performativity. | en-US |
| dc.language | eng | |
| dc.publisher | Brazilian Journal on Presence Studies | en-US |
| dc.publisher | Révue Brésilienne d'Études de la Présence | fr-CA |
| dc.publisher | Révue Brésilienne d'Études de la Présence | fr-FR |
| dc.publisher | Revista Brasileira de Estudos da Presença | pt-BR |
| dc.relation | https://seer.ufrgs.br/index.php/presenca/article/view/96976/57369 | |
| dc.rights | Copyright (c) 2020 Revista Brasileira de Estudos da Presença | pt-BR |
| dc.source | Brazilian Journal on Presence Studies; Vol. 10 No. 3 (2020): Jul./Set. 2020; 01-29 | en-US |
| dc.source | Révue Brésilienne d'Études de la Présence; Vol. 10 No. 3 (2020): Jul./Set. 2020; 01-29 | fr-CA |
| dc.source | Révue Brésilienne d'Études de la Présence; Vol. 10 No 3 (2020): Jul./Set. 2020; 01-29 | fr-FR |
| dc.source | Revista Brasileira de Estudos da Presença; v. 10 n. 3 (2020): Jul./Set. 2020; 01-29 | pt-BR |
| dc.source | 2237-2660 | |
| dc.subject | Theatricality | en-US |
| dc.subject | Performativity | en-US |
| dc.subject | Transsexual | en-US |
| dc.subject | Transgender | en-US |
| dc.subject | Performance | en-US |
| dc.title | The Im/possible Femininity of Nina Arsenault: theatrical gender in I w@s B*rbie and The Silicone Diaries | en-US |
| dc.type | info:eu-repo/semantics/article | |
| dc.type | info:eu-repo/semantics/publishedVersion |
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