Understanding how art museum visitors positively connect with artworks

dc.creator	Anne-Marie Émond
dc.date	2006
dc.date.accessioned	2022-03-22T19:23:22Z
dc.date.available	2022-03-22T19:23:22Z
dc.identifier	http://www.redalyc.org/articulo.oa?id=34004602
dc.identifier.uri	http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/99201
dc.description	This paper deals with the concept of consonance as it applies to the aesthetic experience of adults who visit a Fine Arts museum. Generally, when describing a visitor's reaction to art, we do not talk in terms of conflict or harmony, but adopt the expression 'aesthetic experience'. Much research has been conducted to describe aesthetic experience, for example, the research undertaken by Csikszentmihalyi and Robinson, 1990; Guillot, 2001; Housen, 1983). We are aware of the complexity of the term and the scope of its meaning in philosophy.
dc.format	application/pdf
dc.language	en
dc.publisher	Universidad Autónoma Metropolitana Unidad Xochimilco
dc.relation	http://www.redalyc.org/revista.oa?id=340
dc.rights	REencuentro. Análisis de Problemas Universitarios
dc.source	REencuentro. Análisis de Problemas Universitarios (México) Num.46
dc.subject	Educación
dc.subject	Fine Arts museum Aesthetic
dc.title	Understanding how art museum visitors positively connect with artworks
dc.type	artículo científico