Aquí se siente uno como en su casa: los salones de baile popular de la ciudad de México

dc.creator	AMPARO SEVILLA
dc.date	1996
dc.date.accessioned	2022-03-22T19:04:40Z
dc.date.available	2022-03-22T19:04:40Z
dc.identifier	http://www.redalyc.org/articulo.oa?id=74711339004
dc.identifier.uri	http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/96804
dc.description	The essay presents an analysis of the historical configuration of dancing halls in which four fundamental aspects are outstanding: a) how the establishment of a social order for the use of public spaces, imply the imposition of a corporal order; b) How massive media has influenced in the organization of these public places; c) how the confluence of different dancing types from other countries has influenced the configuration of a community that has made of dancing halls a particular vinculation between the public and privateness and d) how it is possible then, that in the use of these public spaces, there have been social differences, not only due to the class one belongs to, but also to the gender.
dc.format	application/pdf
dc.language	es
dc.publisher	Universidad Autónoma Metropolitana Unidad Iztapalapa
dc.relation	http://www.redalyc.org/revista.oa?id=747
dc.rights	Alteridades
dc.source	Alteridades (México) Num.11 Vol.6
dc.subject	Antropología
dc.title	Aquí se siente uno como en su casa: los salones de baile popular de la ciudad de México
dc.type	artículo científico