Cultura: la performación de mundos sociomateriales

Ignacio Farías

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dc.creator	Ignacio Farías
dc.date	2014
dc.date.accessioned	2022-03-22T17:34:07Z
dc.date.available	2022-03-22T17:34:07Z
dc.identifier	http://www.redalyc.org/articulo.oa?id=10529071003
dc.identifier.uri	http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/86598
dc.description	Niklas Luhmann has proposed to radically rethink what we commonly understand by culture. Rather than being an analytical and/or political category to account for shared normative orientations, culture is a category of practice that emerges in a recent historical context to make it possible the comparison of society with itself. This article proposes to complement such definition in two directions. Firstly, it shall be argued that culture as an operation performs worlds, this is, familiar condensations of diverse situations, entities and functional logics. Secondly, it is proposed that the performation of said worlds depends on material mediations. It is, in consequence, necessary to question the premises of systems theory that reduce the social to sense-based communication. Thus, while social systems theory permits a productive redefinition of the concept of culture, such redefinition leads again to question important premises of this theory.
dc.format	application/pdf
dc.language	es
dc.publisher	Universidad Autónoma del Estado de México
dc.relation	http://www.redalyc.org/revista.oa?id=105
dc.rights	Convergencia. Revista de Ciencias Sociales
dc.source	Convergencia. Revista de Ciencias Sociales (México) Num.64 Vol.21
dc.subject	Sociología
dc.subject	Culture
dc.subject	worlds
dc.subject	materiality
dc.subject	diagram
dc.subject	social systems theory
dc.subject	actor-network theory
dc.title	Cultura: la performación de mundos sociomateriales
dc.type	artículo científico