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| dc.creator | Chagas, Mário | |
| dc.date | 2010-10-26 | |
| dc.date.accessioned | 2022-03-17T17:46:40Z | |
| dc.date.available | 2022-03-17T17:46:40Z | |
| dc.identifier | https://revistas.ulusofona.pt/index.php/cadernosociomuseologia/article/view/1644 | |
| dc.identifier.uri | http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/48755 | |
| dc.description | From modernity to the contemporary world, museums have been acknowledged for their power to produce metamorphoses of meanings and functions, for their ability to adapt historic and social determination, and for their calling for cultural mediation. They derive from creating gestures which bind the symbolic and the material, which bind what is sensitive and what is intelligible. For this very reason the bridge metaphor fits them well, a bridge cast between different times, spaces, individuals, social groups and cultures, a bridge that is built with images and which holds a special place in the imaginary. | pt-PT |
| dc.format | application/pdf | |
| dc.language | por | |
| dc.publisher | Edições Universitárias Lusófonas | pt-PT |
| dc.relation | https://revistas.ulusofona.pt/index.php/cadernosociomuseologia/article/view/1644/1309 | |
| dc.source | Cadernos de Sociomuseologia; No. 38 (2010): Special edition 22nd ICOM General Conference Shanghai 7th - 12th November 2010 | en-US |
| dc.source | Cadernos de Sociomuseologia; n. 38 (2010): Special edition 22nd ICOM General Conference Shanghai 7th - 12th November 2010 | pt-PT |
| dc.source | 1646-3714 | |
| dc.source | 1646-3706 | |
| dc.title | Museums, memories and social movements | pt-PT |
| dc.type | info:eu-repo/semantics/article | |
| dc.type | info:eu-repo/semantics/publishedVersion |
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