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| dc.creator | Moutinho, Mário Canova | |
| dc.date | 2009-06-13 | |
| dc.date.accessioned | 2022-03-17T17:46:07Z | |
| dc.date.available | 2022-03-17T17:46:07Z | |
| dc.identifier | https://revistas.ulusofona.pt/index.php/cadernosociomuseologia/article/view/245 | |
| dc.identifier.uri | http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/48437 | |
| dc.description | "Exhibiting is or should be to work against ignorance, especially against the most refractory of all ignorance: the pre-conceived idea of stereo typed culture. To exhibit is to take a calculated risk of disorientation - in the etymological sense : ( to lose your bearings), disturbs the harmony, the evident , and the consensus, that constitutes the common place ( the banal). Needless to say however it is obvious that an exhibition that deliberately tries to scandalise will create an inverted perversion which results in an obscurantist pseudo-luxury - culture ... between demagogy and provocation, one has to find visual communication's subtle itinerary. Even though an intermediary route is not so stimulating : as Gaston Bachelard said "All the roads lead to Rome, except the roads of compromise." (1) | pt-PT |
| dc.format | application/pdf | |
| dc.language | por | |
| dc.publisher | Edições Universitárias Lusófonas | pt-PT |
| dc.relation | https://revistas.ulusofona.pt/index.php/cadernosociomuseologia/article/view/245/154 | |
| dc.source | Cadernos de Sociomuseologia; Vol. 4 No. 4 (1994): The construction of the museological object | en-US |
| dc.source | Cadernos de Sociomuseologia; v. 4 n. 4 (1994): The construction of the museological object | pt-PT |
| dc.source | 1646-3714 | |
| dc.source | 1646-3706 | |
| dc.title | THE CONSTRUCTION OF THE MUSEOLOGICAL OBJECT | pt-PT |
| dc.type | info:eu-repo/semantics/article | |
| dc.type | info:eu-repo/semantics/publishedVersion |
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