New uses of music: An analysis based on indie music in Buenos Aires

Boix, Ornela

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dc.creator	Boix, Ornela
dc.date	2019
dc.date.accessioned	2023-03-28T19:08:44Z
dc.date.available	2023-03-28T19:08:44Z
dc.identifier	1519-6089
dc.identifier	https://www.redalyc.org/articulo.oa?id=74260188014
dc.identifier.uri	https://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/241907
dc.description	"During the 2000s, the term “indie” became common and relatively principal for the juvenile, urban music of the metropolitan area of Buenos Aires. How can we understand the indie phenomenon in the history of juvenile music related to Argentine rock bands? What variables should we take into consideration to comprehend indie since its logic differs from the one established by the identitarian appropriation of music genres? In order to answer these questions, we describe indie music in Buenos Aires and show its evolution. We suggest that indie is much more than a way in which people identify themselves with music. It is the manifestation of a new relation with music and its means of production. In line with this idea, we explore the most recent pragmatic approach to “music into action” and music as mediator of the social to reformulate the notion of music to use."
dc.format	application/pdf
dc.language	en
dc.publisher	Pontifícia Universidade Católica do Rio Grande do Sul
dc.relation	http://www.redalyc.org/revista.oa?id=742
dc.rights	Civitas - Revista de Ciências Sociais
dc.source	Civitas - Revista de Ciências Sociais (Brasil) Num.1 Vol.19
dc.subject	Sociología
dc.subject	Identity
dc.subject	Indie music
dc.subject	Buenos Aires
dc.subject	Uses of music
dc.subject	Pragmatic approach
dc.title	New uses of music: An analysis based on indie music in Buenos Aires
dc.type	artículo científico