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| dc.creator | Bolte, Rike | |
| dc.date | 2016-04-20 | |
| dc.date.accessioned | 2023-03-27T18:42:08Z | |
| dc.date.available | 2023-03-27T18:42:08Z | |
| dc.identifier | https://meridional.uchile.cl/index.php/MRD/article/view/40098 | |
| dc.identifier | 10.5354/0719-4862.2016.40098 | |
| dc.identifier.uri | https://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/234582 | |
| dc.description | During the last civil military dictatorship in Argentina (1976-1983), encoded, encrypted, elliptical literary texts were written that address the traumatic events of that time, and are now canonical. The authors of these works were followed by a post-dictatorship generation, brought up under the shadow of political repression, who began to develop their aesthetic strategies twenty years after the coup, from 1996 onwards. Members include Martín Gambarotta, whose prose poem entitled Punctum was to become a literary milestone. In our opinion, this cult poem should be considered a precursor of the most recent Argentinian literature, written after 2001/2002, and branded as paradigmatically rebellious within the field of what is “writable” about the memory of the dictatorship. In Punctum numerous omissive and digressive, carnivalesque and masking strategies are used, visual devices are employed, an intertextual reference to a well-known text by Néstor Perlongher is made, and a strong link with pop culture and rock is found. Gambarotta’s experimental drive in poetry clearly had a fundamental influence on the forms of expression that would become the literature of (post-) memory Argentina, although in this case the focus is narrative rather than poetry. | en-US |
| dc.description | Durante la última dictadura cívico-militar argentina (1976-1983)se han escrito textos literarios codificados, criptográficos y elípticos hoy canónicos, que abordan los acontecimientos traumáticos de aquel tiempo. A los autores y autoras de esas obras les sucede una generación posdictatorial que, aunque crecida bajo la impronta de la persecución política, empieza a desarrollar sus estrategias estéticas a partir de 1996, a veinte años del golpe. A esta generación pertenece Martín Gambarotta, quien marcará un hito literario con un poema en prosa versificada titulado Punctum. Según nuestro criterio, este texto de culto debería ser identificado como precursor de las literaturas argentinas más recientes, iniciadas después de 2001/02, a su vez apostrofadas de rebeldes dentro del campo de lo “escribible” sobre la memoria de la dictadura. En Punctum se aplica un gran número de estrategias omisivas y digresivas, carnavalescas y de enmascaramiento, se efectúan dispositivos visuales, se trazan vínculos intertextuales a un célebre texto de Néstor Perlongher, y se hace notar un fuerte link con la cultura pop y rock. Estos impulsos experimentales lanzados por Gambarotta desde la poesía han influenciado sin duda esencialmente a las expresiones que fueran a devenir la literatura de la (post-)memoria argentina, a pesar de que aquí se trate de narrativa y no de poesía. | es-ES |
| dc.format | application/pdf | |
| dc.format | text/html | |
| dc.language | spa | |
| dc.publisher | Universidad de Chile. Facultad de Filosofía y Humanidades | es-ES |
| dc.relation | https://meridional.uchile.cl/index.php/MRD/article/view/40098/41647 | |
| dc.relation | https://meridional.uchile.cl/index.php/MRD/article/view/40098/41985 | |
| dc.source | Meridional. Revista Chilena de Estudios Latinoamericanos; No. 6 (2016): Abril; pp. 37-66 | en-US |
| dc.source | Meridional. Revista Chilena de Estudios Latinoamericanos; Núm. 6 (2016): Abril; pp. 37-66 | es-ES |
| dc.source | 0719-4862 | |
| dc.source | 0719-3734 | |
| dc.subject | postmemoria | es-ES |
| dc.subject | escritura omisiva | es-ES |
| dc.subject | Martín Gambarotta | es-ES |
| dc.subject | novísima poesía y narrativa argentina | es-ES |
| dc.subject | Néstor Perlongher | es-ES |
| dc.subject | postmemory | en-US |
| dc.subject | omissive writing | en-US |
| dc.subject | Martín Gambarotta | en-US |
| dc.subject | innovative poetry and Argentinian narrative | en-US |
| dc.subject | Néstor Perlongher | en-US |
| dc.title | Punctum, by Martín Gambarotta: narrative poem or poetic tale? A paradigm of elliptical writing for Argentinian postmemory | en-US |
| dc.title | Punctum, de Martín Gambarotta: ¿poema narrativo o relato poético? Paradigma de una escritura elíptica para la postmemoria argentina | es-ES |
| dc.type | info:eu-repo/semantics/article | |
| dc.type | info:eu-repo/semantics/publishedVersion |
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