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| dc.creator | Oubiña, David | |
| dc.date | 2020-12-28 | |
| dc.date.accessioned | 2023-03-27T17:07:50Z | |
| dc.date.available | 2023-03-27T17:07:50Z | |
| dc.identifier | https://revistas.javeriana.edu.co/index.php/cualit/article/view/35595 | |
| dc.identifier | 10.11144/Javeriana.cl24.lebc | |
| dc.identifier.uri | https://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/227022 | |
| dc.description | Beatriz Sarlo’s essays on cinema continue and develop her interests as a literary critic. She obviously approaches cinema with the instruments she acquired in literature; but despite what usually happens with many cultural critics, she doesn’t consider films as subsidiary objects. On the contrary: When she writes about Chantal Akerman, about Rainer Fassbinder, about Claude Lanzmann or about Raya Martin, she displays a cinephile erudition that heightens her literary ideas in order to project them as a complex political theory of culture. | en-US |
| dc.description | Las intervenciones de Beatriz Sarlo a propósito de cuestiones cinematográficas continúan y expanden sus preocupaciones en tanto que crítica literaria. Sin duda, se aproxima al cine con las herramientas que aprendió en la literatura, pero, a diferencia de lo que suele suceder con muchos críticos culturales, no piensa los films como un objeto derivado. Más bien, al contrario: cuando escribe sobre Chantal Akerman, sobre Rainer Fassbinder, sobre Claude Lanzmann o sobre Raya Martin, despliega una erudición cinéfila que le permite amplificar su pensamiento literario y proyectarlo como una compleja teoría política de la cultura. | es-ES |
| dc.description | Beatriz Sarlo’s essays on cinema continue and develop her interests as a literary critic. She obviously approaches cinema with the instruments she acquired in literature; but despite what usually happens with many cultural critics, she doesn’t consider films as subsidiary objects. On the contrary: When she writes about Chantal Akerman, about Rainer Fassbinder, about Claude Lanzmann or about Raya Martin, she displays a cinephile erudition that heightens her literary ideas in order to project them as a complex political theory of culture. | pt-BR |
| dc.format | application/pdf | |
| dc.format | text/xml | |
| dc.language | spa | |
| dc.publisher | Departamento de Literatura, Pontificia Universidad Javeriana, Bogotá | es-ES |
| dc.relation | https://revistas.javeriana.edu.co/index.php/cualit/article/view/35595/26931 | |
| dc.relation | https://revistas.javeriana.edu.co/index.php/cualit/article/view/35595/26932 | |
| dc.relation | https://revistas.javeriana.edu.co/index.php/cualit/article/view/35595/26933 | |
| dc.rights | Derechos de autor 2022 David Oubiña | es-ES |
| dc.rights | http://creativecommons.org/licenses/by/4.0 | es-ES |
| dc.source | Cuadernos de Literatura; Vol. 24 (2020): (Publicación continua) | en-US |
| dc.source | Cuadernos de Literatura; Vol. 24 (2020): (Publicación continua) | es-ES |
| dc.source | Cuadernos de Literatura; v. 24 (2020): (Publicación continua) | pt-BR |
| dc.source | 2346-1691 | |
| dc.source | 0122-8102 | |
| dc.subject | Cinema of ideas, cinema and history, high culture and popular culture, intellectuals and audiovisual media, memory and oblivion | en-US |
| dc.subject | cine de ideas, cine e historia, cultura elevada y cultura popular, intelectuales y medios audiovisuales, memoria y olvido | es-ES |
| dc.subject | Cinema of ideas, cinema and history, high culture and popular culture, intellectuals and audiovisual media, memory and oblivion | pt-BR |
| dc.title | Readers and Spectators: Beatriz Sarlo, Film Critic | en-US |
| dc.title | Lectores y espectadores: Beatriz Sarlo crítica de cine | es-ES |
| dc.title | Readers and Spectators: Beatriz Sarlo, Film Critic | pt-BR |
| dc.type | info:eu-repo/semantics/article | |
| dc.type | info:eu-repo/semantics/publishedVersion |
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