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| dc.creator | Dalmaroni, Miguel | |
| dc.date | 2020-12-20 | |
| dc.date.accessioned | 2023-03-27T17:07:48Z | |
| dc.date.available | 2023-03-27T17:07:48Z | |
| dc.identifier | https://revistas.javeriana.edu.co/index.php/cualit/article/view/34505 | |
| dc.identifier | 10.11144/Javeriana.cl24.fpls | |
| dc.identifier.uri | https://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/226999 | |
| dc.description | The main characteristic of Sarlo’s reading of Saer is a peculiar type of formalism. Her reading impulse lies in this articulation: the focus on the artistic technique (poetic, narrative), considered semantically functional, recoverable, and subject to a decision-making process; the relationship between that poetic of the form and an intertextual program whose center is Borges, with Saer’s corresponding place in the history of Argentinian literary history, and, as a consequence of the unifying force of that formal and intertextual approach, a judgement about the highest value of Saer’s work arises, which Sarlo describes as “perfect.” At the same time, our paper develops approximations to a potential blind spot in that reading. | en-US |
| dc.description | La característica principal de la lectura sarliana de Saer es una modalidad particular de formalismo. Este se trata de un impulso de lectura que reside en la articulación del enfoque en la técnica artística (poética, narrativa), considerada semánticamente funcional, recuperable y decidible; y en la relación entre esa poética de la forma y un programa intertextual en cuyo centro está Borges, con el lugar que le corresponde a Saer en la historia literaria argentina, y como consecuencia de la constancia vertebradora de esa apuesta formal e intertextual, un juicio acerca del valor máximo de la obra de Saer, que para Sarlo es “perfecta”. Al mismo tiempo, se ensayan aquí aproximaciones a un eventual punto ciego de esa lectura. | es-ES |
| dc.format | application/pdf | |
| dc.format | text/xml | |
| dc.language | spa | |
| dc.publisher | Departamento de Literatura, Pontificia Universidad Javeriana, Bogotá | es-ES |
| dc.relation | https://revistas.javeriana.edu.co/index.php/cualit/article/view/34505/26162 | |
| dc.relation | https://revistas.javeriana.edu.co/index.php/cualit/article/view/34505/26163 | |
| dc.relation | https://revistas.javeriana.edu.co/index.php/cualit/article/view/34505/26165 | |
| dc.rights | Derechos de autor 2021 Miguel Dalmaroni | es-ES |
| dc.rights | http://creativecommons.org/licenses/by/4.0 | es-ES |
| dc.source | Cuadernos de Literatura; Vol. 24 (2020): (Publicación continua); 31 | en-US |
| dc.source | Cuadernos de Literatura; Vol. 24 (2020): (Publicación continua); 31 | es-ES |
| dc.source | Cuadernos de Literatura; v. 24 (2020): (Publicación continua); 31 | pt-BR |
| dc.source | 2346-1691 | |
| dc.source | 0122-8102 | |
| dc.subject | Saer | en-US |
| dc.subject | Sarlo | en-US |
| dc.subject | Borges | en-US |
| dc.subject | form | en-US |
| dc.subject | technique | en-US |
| dc.subject | formalism | en-US |
| dc.subject | Saer | es-ES |
| dc.subject | Sarlo | es-ES |
| dc.subject | Borges | es-ES |
| dc.subject | forma | es-ES |
| dc.subject | técnica | es-ES |
| dc.subject | formalismo | es-ES |
| dc.title | The Perfect Form: Sarlo Reads Saer | en-US |
| dc.title | La forma perfecta: Sarlo lee a Saer | es-ES |
| dc.type | info:eu-repo/semantics/article | |
| dc.type | info:eu-repo/semantics/publishedVersion |
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