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| dc.contributor | Galvis | |
| dc.contributor | Luis José | |
| dc.contributor | https://scienti.minciencias.gov.co/cvlac/visualizador/generarCurriculoCv.do?cod_rh=0001315960 | |
| dc.contributor | https://orcid.org/0000-0002-2494-3121 | |
| dc.creator | Gaviria, Víctor | |
| dc.date | 2021-04-06T20:54:35Z | |
| dc.date | 2021-04-06T20:54:35Z | |
| dc.date | 2019-08-28 | |
| dc.date.accessioned | 2022-03-14T19:42:07Z | |
| dc.date.available | 2022-03-14T19:42:07Z | |
| dc.identifier | http://hdl.handle.net/20.500.12749/12948 | |
| dc.identifier | instname:Universidad Autónoma de Bucaramanga - UNAB | |
| dc.identifier | reponame:Repositorio Institucional UNAB | |
| dc.identifier | repourl:https://repository.unab.edu.co | |
| dc.identifier.uri | http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/22053 | |
| dc.description | 01:33:01 horas | |
| dc.description | Víctor Gaviria habla de su libro Detrás de Cámaras y hace una reflexión en torno a lo que se llamó en Medellín "El Parlache" es ese lenguaje de retraído, parcero, amurao todas estas cosas hacen que sea un lenguaje de la exclusión. | |
| dc.description | Víctor Gaviria talks about his book Behind the Cameras and reflects on what was called in Medellín "El Parlache" is that language of withdrawn, parcero, amura or all these things make it a language of exclusion. | |
| dc.format | application/html | |
| dc.format | application/pdf | |
| dc.language | spa | |
| dc.publisher | Universidad Autónoma de Bucaramanga UNAB | |
| dc.publisher | Pregrado Artes Audiovisuales | |
| dc.publisher | Pregrado Comunicación Social | |
| dc.publisher | Facultad Ciencias Sociales, Humanidades y Artes | |
| dc.publisher | Centro de Producción Audiovisual CPA | |
| dc.publisher | UNAB TV | |
| dc.relation | https://unabtv.com/detras-de-camara/ | |
| dc.rights | https://creativecommons.org/licenses/by-nc-nd/2.5/co/ | |
| dc.rights | Abierto (Texto Completo) | |
| dc.rights | info:eu-repo/semantics/openAccess | |
| dc.rights | http://purl.org/coar/resource_type/c_8a7e | |
| dc.rights | Atribución-NoComercial-SinDerivadas 2.5 Colombia | |
| dc.subject | Chronicles | |
| dc.subject | Testimonials | |
| dc.subject | Reflections | |
| dc.subject | Oral literature | |
| dc.subject | Texts | |
| dc.subject | Writers | |
| dc.subject | Stories | |
| dc.subject | Fiction | |
| dc.subject | Cinema | |
| dc.subject | Institutional videos | |
| dc.subject | Audiovisual production | |
| dc.subject | Multimedia | |
| dc.subject | Institutional productions | |
| dc.subject | University projects | |
| dc.subject | Videos institucionales | |
| dc.subject | Producción audiovisual | |
| dc.subject | Multimedia | |
| dc.subject | Producciones institucionales | |
| dc.subject | Proyectos universitarios | |
| dc.subject | Crónicas | |
| dc.subject | Testimonios | |
| dc.subject | Reflexiones | |
| dc.subject | Literatura oral | |
| dc.subject | Textos | |
| dc.subject | Escritores | |
| dc.subject | Relatos | |
| dc.subject | Ficción | |
| dc.subject | Cine | |
| dc.title | Detrás de Cámara | |
| dc.title | Behind the camera | |
| dc.type | Audiovisual | |
| dc.type | info:eu-repo/semantics/other | |
| dc.type | Audiovisual | |
| dc.type | http://purl.org/coar/resource_type/c_12ce | |
| dc.type | info:eu-repo/semantics/acceptedVersion | |
| dc.type | http://purl.org/redcol/resource_type/GC | |
| dc.coverage | Bucaramanga (Colombia) | |
| dc.coverage | Bucaramanga (Santander, Colombia) | |
| dc.coverage | 2019 |
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