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| dc.creator | Gómez, Lía | |
| dc.date | 2015-12-29 | |
| dc.date.accessioned | 2023-03-17T18:21:06Z | |
| dc.date.available | 2023-03-17T18:21:06Z | |
| dc.identifier | https://perio.unlp.edu.ar/ojs/index.php/anuario/article/view/2990 | |
| dc.identifier.uri | https://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/204243 | |
| dc.description | The present work recovers the conclusions developed in the Doctoral qualified Thesis " Lucrecia Martel: Cinema and Culture ". From two axes, there proposes on the one hand, a critical analysis of the problematic emergent ones in the language of the cinema, related to the representations of the historical - cultural memory, the processes partner politicians, the imaginary ones and the social sensibilities. For other one, the question recovers concerning the cinematographic world that the cineasta constructs inside the communication current context, and thinks about the implication that has in the process of knowledge and identity across the artistic - communicative means. cinema;The present work recovers the conclusions developed in the Doctoral qualified Thesis " Lucrecia Martel: Cinema and Culture ". From two axes, there proposes on the one hand, a critical analysis of the problematic emergent ones in the language of the cinema, related to the representations of the historical - cultural memory, the processes partner politicians, the imaginary ones and the social sensibilities. For other one, the question recovers concerning the cinematographic world that the cineasta constructs inside the communication current context, and thinks about the implication that has in the process of knowledge and identity across the artistic - communicative means. | en-US |
| dc.description | El presente trabajo recupera las conclusiones desarrolladas en la Tesis Doctoral titulada “Lucrecia Martel: Cine y Cultura”. A partir de dos ejes, se propone por un lado, un análisis crítico de las problemáticas emergentes en el lenguaje del cine, relacionadas con las representaciones de la memoria histórico-cultural, los procesos socio políticos, los imaginarios y las sensibilidades sociales. Por el otro, se recupera la pregunta en torno al mundo cinematográfico que construye la cineasta dentro del contexto comunicacional actual, y reflexiona sobre la implicancia que tiene en el proceso de conocimiento e identidad a través de los medios artístico – comunicativos. | es-ES |
| dc.format | application/pdf | |
| dc.language | spa | |
| dc.publisher | Anuario de investigaciones | es-ES |
| dc.relation | https://perio.unlp.edu.ar/ojs/index.php/anuario/article/view/2990/2585 | |
| dc.rights | Derechos de autor 2015 Anuario de investigaciones | es-ES |
| dc.source | Anuario de investigaciones; Vol. 1 Núm. 11 (2015): Anuario 2014; 173-185 | es-ES |
| dc.source | 2408-3992 | |
| dc.subject | cine | es-ES |
| dc.subject | lenguaje | es-ES |
| dc.subject | representación | es-ES |
| dc.subject | autora | es-ES |
| dc.subject | estético/comunicacional | es-ES |
| dc.subject | cinema | en-US |
| dc.subject | language | en-US |
| dc.subject | representation | en-US |
| dc.subject | authoress | en-US |
| dc.subject | aesthetic /communication | en-US |
| dc.title | Tiempo estético, tiempo político: Lucrecia Martel. Cine y Cultura | es-ES |
| dc.title | Aesthetic time, political time: Lucrecia Martel. Cinema and Culture | en-US |
| dc.type | info:eu-repo/semantics/article | |
| dc.type | info:eu-repo/semantics/publishedVersion |
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