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dc.creator | Hadjis Labarca, Ulises | |
dc.date | 2021-01-15 | |
dc.date.accessioned | 2023-03-15T20:34:21Z | |
dc.date.available | 2023-03-15T20:34:21Z | |
dc.identifier | https://revistas.ucm.es/index.php/TEKN/article/view/68748 | |
dc.identifier | 10.5209/tekn.68748 | |
dc.identifier.uri | https://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/181118 | |
dc.description | Streaming has dominated the consumption of music and audiovisual media over the last five years. 80% of music in Mexico is now consumed through streaming (Gutiérrez, 2019) YouTube, Netflix and Spotify present an unquestionable hegemony in the Western world. This article shows how consumption through the streaming of music tracks, in conjunction with non-possession, opens up a new space in the world of music production and distribution, which in many aspects changes the creation of composers. The article also considers the power dynamics of the recommendation algorithm on various platforms. | en-US |
dc.description | En los últimos 5 años el streaming ha dominado el consumo de música y medios audiovisuales. Supone el 80% de la música en México (Gutiérrez, 2019). Asimismo YouTube, Netflix y Spotify presentan una hegemonía incuestionable en el mundo occidental. El ángulo que me interesa mostrar aquí es cómo el consumo a través del streaming de tracks musicales inaugura un nuevo espacio en el mundo de la producción y distribución de música, que en muchos aspectos cambia la creación de compositores. También reparamos en la dinámica de poder que se encuentra bajo el algoritmo de recomendación en varias plataformas. | es-ES |
dc.description | Nos últimos 5 anos, o streaming tem dominado o consumo de música e a mídia audiovisual. 80% da música no México é consumida através do streaming (Gutiérrez, 2019). Da mesma forma, YouTube, Netflix e Spotify apresentam uma hegemonia inquestionável no mundo ocidental. A perspectiva que estou interessado em mostrar aqui é como o consumo através do streaming de faixas musicais, mais sua não-posse, inaugura um novo espaço no mundo da produção e distribuição musical, que em muitos aspectos muda a criação dos compositores. Também as dinâmicas de poder encontradas sob a dinâmica da recomendação de algoritmos em várias plataformas. | pt-BR |
dc.description | Nos últimos 5 anos, o streaming tem dominado o consumo de música e a mídia audiovisual. 80% da música no México é consumida através do streaming (Gutiérrez, 2019). Da mesma forma, YouTube, Netflix e Spotify apresentam uma hegemonia inquestionável no mundo ocidental. A perspectiva que estou interessado em mostrar aqui é como o consumo através do streaming de faixas musicais, mais sua não-posse, inaugura um novo espaço no mundo da produção e distribuição musical, que em muitos aspectos muda a criação dos compositores. Também as dinâmicas de poder encontradas sob a dinâmica da recomendação de algoritmos em várias plataformas. | pt-PT |
dc.format | application/pdf | |
dc.language | eng | |
dc.publisher | Grupo de Investigación Cultura Digital y Movimientos Sociales. Cibersomosaguas | es-ES |
dc.relation | https://revistas.ucm.es/index.php/TEKN/article/view/68748/4564456555481 | |
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dc.rights | Derechos de autor 2021 Teknokultura. Revista de Cultura Digital y Movimientos Sociales | es-ES |
dc.source | Teknokultura. Journal of Digital Culture and Social Movements; Vol. 18 No. 1 (2021): Miscellany; 3-12 | en-US |
dc.source | Teknokultura. Revista de Cultura Digital y Movimientos Sociales; Vol. 18 Núm. 1 (2021): Miscelánea; 3-12 | es-ES |
dc.source | Teknokultura. Revista de Cultura Digital e Movimentos Sociais; v. 18 n. 1 (2021): Miscelânea; 3-12 | pt-BR |
dc.source | 1549-2230 | |
dc.subject | hegemony | en-US |
dc.subject | recommendation algorithms | en-US |
dc.subject | songwriting | en-US |
dc.subject | Spotify | en-US |
dc.subject | hegemonia | es-ES |
dc.subject | algoritmos de recomendación | es-ES |
dc.subject | composición de canciones | es-ES |
dc.subject | Spotify | es-ES |
dc.subject | hegemonia | pt-BR |
dc.subject | algoritmos de recomendação | pt-BR |
dc.subject | composição de canções | pt-BR |
dc.subject | Spotify | pt-BR |
dc.subject | hegemonia | pt-PT |
dc.subject | algoritmos de recomendação | pt-PT |
dc.subject | composição de canções | pt-PT |
dc.subject | Spotify | pt-PT |
dc.title | Music streaming and its consequences within the dynamics of power, consumption and creation | en-US |
dc.title | Music streaming and its consequences within the dynamics of power, consumption and creation | es-ES |
dc.title | O streaming de música e suas consequências nas dinâmicas de poder, consumo e criação | pt-BR |
dc.title | O streaming de música e suas consequências nas dinâmicas de poder, consumo e criação | pt-PT |
dc.type | info:eu-repo/semantics/article | |
dc.type | info:eu-repo/semantics/publishedVersion | |
dc.type | Karpeta | es-ES |
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